Geldof played a late night/early morning gig in Malta.
Set list included I Don't Like Mondays, The Great Song Of Indifference, Harvest Moon, Banana Republic, Mary Of The Fourth Form, Rat Trap, Mudslide, My Birthday Suit & Scream In Vain.
http://www.timesofmalta.com/core/article.php?id=229082
Thursday, June 29, 2006
Monday, June 26, 2006
Down By The Jetty
Back in 1975, Canvey Island's finest released the album that would inspire a generation. Not only was it a major influence on The Boomtown Rats eponymous album, but also The Jam and other members of the class of 1976. What the Ramones did for stateside punk/new wave, The Feelgoods were doing this side of the pond. With its stark black and white cover, and recorded exclusively in mono, it was not of its time. So pay homage to Lee Brilleaux, Wilko Johnson, John 'Big Figure' Martin and John B. 'Sparko' Sparks!
Dr. Feelgood were absolutely central to the Boomtown Rats. When I heard Down by the Jetty, it just fcuking blew me away. The Feelgoods were in it for me. Our early live set used to be their entire first album. When I heard the line 'Stand and watch the towers burning at the break of day', which was about the Canvey Island burn-offs, I realised that it wasn't enough for music to sound good. It had to mean something, to reflect where you came from. - Bob Geldof
[From the sleevenotes - Down By The Jetty COLLECTORSEDITION]
You can listen to excerpts here http://www.hmv.co.uk/hmvweb/displayProductDetails.do?ctx=280;-1;-1;-1&sku=519143
I also recommend a visit to http://www.drfeelgood.de/albums.htm
Monday, June 12, 2006
Links to Rat Sites
As Bob Geldof can no longer take the views of his fans and has disassociated himself from the forum, I thought I'd better provide a link from here...
Boomtown Rats & Bob Geldof Forum
Other good Boomtown Rats sites
UK
USA
Japan - Banana Republic
Boomtown Rats & Bob Geldof Forum
Other good Boomtown Rats sites
UK
USA
Japan - Banana Republic
Sunday, April 16, 2006
A small crowd at the back of an Irish pub in the middle of the fucking desert
Geldof finds his level ;-)
Bob Geldof was in Dubai to speak at an DIHAD, an international development conference. He also found time to perform at The Irish Village, which is Ireland' own little corner of Dubai and sports a few Irish pubs and a large garden area. It's a pretty good venue with a capicity, by my estimate, of less than a 1,000 and decent acoustics given its outdoors. Geldof didn't quite see it that way, bemoaning the fact that his career had come to performing to 'a small crowd at the back of an Irish pub in the middle of the fucking desert'.
http://zalam.typepad.com/omar_salem/international_development/
Bob Geldof was in Dubai to speak at an DIHAD, an international development conference. He also found time to perform at The Irish Village, which is Ireland' own little corner of Dubai and sports a few Irish pubs and a large garden area. It's a pretty good venue with a capicity, by my estimate, of less than a 1,000 and decent acoustics given its outdoors. Geldof didn't quite see it that way, bemoaning the fact that his career had come to performing to 'a small crowd at the back of an Irish pub in the middle of the fucking desert'.
http://zalam.typepad.com/omar_salem/international_development/
Saturday, April 01, 2006
Geldof gets IRMA award
Bob Geldof is the third recipient of the IRMA Honours award.
The award, which is organised by the Irish Recorded Music Industry recognises the outstanding talent and contribution of an artist or individual to Irish music.
Previous award winners are Christy Moore and Larry Gogan.
"The last time I came back I was given the freedom of my home town and now the people that I grew up with are here tonight so I'll really be getting the prize from them. There is nowhere else on the planet I'd rather be and no other people that I'd want to be with than those here
"Thanks to the IRMA and the Rats who were a great band. It's great to be Irish and come back and see Ireland suddenly change for the better.
"Irish people used not to be taken seriously. Now we are, in terms of music, as Ireland has become a brilliant place for music.
"The music ones (awards) are the ones that count for me because that's what I think I do. I've got a lifetime achievement in Britain and America and Europe but I've never seen the people who I grew up with or who helped the Rats get started ever be part of one of these things.
"So the people who owned the record store in Dun Laoghaire ... people who helped us at the beginning get gigs, they are all here plus the bands that followed the Rats, like The Radiators, The Pogues, I suppose U2, The Thrills. To have a whole generation who helped make that change in music means more to me than being in London in a posh hotel with people who would be considered major, major stars
"Of course I understand that the Boomtown Rats unto themselves wouldn't get it, that the Boomtown Rats plus my solo thing wouldn't get it - I know that but don't forget that Live 8, Live Aid and Band Aid came out of music.
"I know how to do gigs and TV out of music, so if I hadn't been in this little band from Dun Laoghaire,that cranked up one summer afternoon 30 years ago none of this would have happened."
http://www.irma.ie
Sunday, March 05, 2006
Freedom of Dublin for Geldof
Bob Geldof was awarded with the Freedom of the City of Dublin. He was presented with a scroll and crystal globe during the ceremony outside the Mansion House.
"It's raining and it's cold but it's a beautiful day and I can't think of a more beautiful day or more beautiful city to hold this in than Dublin.
"If London made me, then Dublin formed me. To be a freeman of one of the most free cities on the planet is indeed something. When I say it is a free city, the atmosphere here, the ability to say and do what you want, is freer her than in most cities around the world.
I have lived all my life in this town, which in reality during my childhood was a little brown, little pinched, little parochial town on the edge of Europe. You now have this expansive city, one that sort of marries the generosities of a nation.
"And it didn't seem to connect at all with the world that I was hearing coming in on the radio and imagining coming in on my head. In 1975, myself and a group of friends got together to make a band that would articulate the possibility of a different Ireland.
"I am equally proud the first ever [Irish] rock 'n' roll number one, indeed the first in a new wave, was from an Irish band called the Boomtown Rats, and it was wrote about this city and it was called Rat Trap."
"It's raining and it's cold but it's a beautiful day and I can't think of a more beautiful day or more beautiful city to hold this in than Dublin.
"If London made me, then Dublin formed me. To be a freeman of one of the most free cities on the planet is indeed something. When I say it is a free city, the atmosphere here, the ability to say and do what you want, is freer her than in most cities around the world.
I have lived all my life in this town, which in reality during my childhood was a little brown, little pinched, little parochial town on the edge of Europe. You now have this expansive city, one that sort of marries the generosities of a nation.
"And it didn't seem to connect at all with the world that I was hearing coming in on the radio and imagining coming in on my head. In 1975, myself and a group of friends got together to make a band that would articulate the possibility of a different Ireland.
"I am equally proud the first ever [Irish] rock 'n' roll number one, indeed the first in a new wave, was from an Irish band called the Boomtown Rats, and it was wrote about this city and it was called Rat Trap."
Friday, February 24, 2006
Geldof is Hero Of The Year!
Unbelievable!
http://www.nme.com/news/bob-geldof/22329
ShockWaves NME Awards 2006 pay tribute to the Live8 man
Bob Geldof has been named the Hero Of The Year at the ShockWaves NME Awards 2006.Readers of NME and NME.COM voted for the singer ahead of Carl Barat, Pete Doherty, Liam Gallagher and Arctic Monkeys' Alex Turner in the category.
Last year saw Geldof make a huge stand against global poverty with the staging of the Live 8 concerts across the world which were attended and watched by 3.8 billion people and featured performances from Paul McCartney, U2, The Killers, Coldplay, REM, Stevie Wonder, The Who, Destiny's Child, Razorlight, Kaiser Chiefs Madonna and the reformed Pink Floyd.
Following the concerts, the subsequent G8 summit promised to give $50 billion more aid per year by 2010, AIDS drugs to all those who need them, care for all AIDS orphans and debt cancellation for 18 countries.
And as if that wasn't enough!
http://www.nme.com/news/bob-geldof/22329
ShockWaves NME Awards 2006 pay tribute to the Live8 man
Bob Geldof has been named the Hero Of The Year at the ShockWaves NME Awards 2006.Readers of NME and NME.COM voted for the singer ahead of Carl Barat, Pete Doherty, Liam Gallagher and Arctic Monkeys' Alex Turner in the category.
Last year saw Geldof make a huge stand against global poverty with the staging of the Live 8 concerts across the world which were attended and watched by 3.8 billion people and featured performances from Paul McCartney, U2, The Killers, Coldplay, REM, Stevie Wonder, The Who, Destiny's Child, Razorlight, Kaiser Chiefs Madonna and the reformed Pink Floyd.
Following the concerts, the subsequent G8 summit promised to give $50 billion more aid per year by 2010, AIDS drugs to all those who need them, care for all AIDS orphans and debt cancellation for 18 countries.
And as if that wasn't enough!
http://www.nme.com/awards/news/22301
Live8 wins Best DVD prize
Bob Geldof collects the gong at the ShockWaves NME Awards 2006
Bob Geldof has accepted the Best DVD award for Live8 - and was introduced by his old pal Bono. The U2 singer presented Geldof with the award via a video link-up, where he said that he was glad Geldof hadn't told him to "fuck off" when the idea to re-create Live Aid was touted last year.
Live8 - which was held last July in London Hyde Park and other cities across the world, saw stars including Madonna, Pink Floyd, Razorlight and The Killers unite to call for debt relief.
The subsequent DVD set compiles 120 performances, adding unseen backstage footage, messages and documentaries.Other nominees in this category included 'Dig!', Green Day: Bullet In A Bible', 'Kaiser Chiefs: Enjoyment' and Morrissey: Who Put The M In Manchester?'.
Friday, January 27, 2006
Vote Geldof for the NME Hero of the year
www.nme.com/awards
You have to register (as many times as possible), but this is an attempt to mobilise the masses and get Geldof a Brat to go with his Brit! Of course, there will be the added pleasure of wiping the smile of the smug NME jounalists.
The other contenders...
Carl Barat
Pete Doherty
Liam Gallagher
Alex Turner
PS You can also vote for Live 8 as best event/DVD, and if you ain't too familiar with modern music, just vote for Franz Ferdinand in all the relevant categories.
You have to register (as many times as possible), but this is an attempt to mobilise the masses and get Geldof a Brat to go with his Brit! Of course, there will be the added pleasure of wiping the smile of the smug NME jounalists.
The other contenders...
Carl Barat
Pete Doherty
Liam Gallagher
Alex Turner
PS You can also vote for Live 8 as best event/DVD, and if you ain't too familiar with modern music, just vote for Franz Ferdinand in all the relevant categories.
Tuesday, January 24, 2006
I Don't Like Mondays - Channel 4
The story behind the song..... (repeated on More 4 Wednesday 25th Jan 10.00pm)
On the morning of Monday 29th January 1979, 16-year-old schoolgirl Brenda Spencer took the .22 calibre gun her father had given her as a Christmas present and aimed it at the school playground directly opposite her family home. She killed two men and injured eight children. All she would say at the time was "I don't like Mondays, it livens up the day." The incident inspired the Boomtown Rats' number one hit song. It was the first school shooting of its kind, a phenomenon that would spread across America and culminate in the infamous Columbine tragedy. This film examines allegations surrounding a seemingly ordinary suburban family behind the eerie detachment of Brenda Spencer's original statement. I Don't Like Mondays secured unique access to Brenda's prison parole hearing in September last year and includes exclusive and revealing interviews with members of Brenda's family as well as her victims. The film traces the bizarre events of that day and asks how and why it happened.
The program started and ended with the song. At the end, the Police chief condemned the song as idiotic, and the NBC reporter had similar comments. Most incredibly, one of the girls shot refered to the fact that she heard the song every Monday at about 2pm, when she started work and enjoyed it!
Most interesting was the interview of her father, Wallace, in the last part. He still lives in the same house that faces the school and the time of the interview was when the kids were leaving school. He was in total denial of his part in the incident (interestingly enough, he married his daughter's cell mate), and didn't believe the way he raised his daughter had anything to do with it. His ex-wife believed he was the one who should have been in jail.
Brenda Spencer was tried as an adult rather than a minor. She pleaded guilty to killing two people, and did not face a jury. This may have spared her the death penalty, Obviously, many of those who were shot or who lost a family member all wanted her dead and believed she would do it again if released. This was not a view shared by those detached from the incident.
Ultimately she is a fairly stupid girl/woman whose ambitions were to find any excuse to get out of jail and work on a fork lift truck. A lot of her parole hearing related the shooting to the abuse she suffered at the hands of the father, though that seems to be de rigueur for elicting sympathy these days.
The Spencers were as a family made disfunctional by a father who wanted to have affairs yet be able to return to his wife and thought nothing of the consequences of giving a 16 year old girl a rifle for Christmas.
I don't believe she would reoffend if released. In the context of the light sentences handed out to the happy slapper murderers in this country yesterday http://www.london-se1.co.uk/news/view.php?ArtID=1964, she seems to have had a bad deal. I guess it all depends on whether you believe prison is to rehabilitate or punish. Her notiriety, the first school spree killer, has ensured she is still behind bars.
Having watched the programme, I do feel that Mondays, unlike Bowling for Columbine which condemned the lax US gun laws, came across as a nasty opportunistic song. People were affected by this incident, and hearing the song must bring back a lot of bad memories.
I never felt the song was apt for either Live Aid or Live 8. It's never been one of my favourite songs, but watching this, made it seem even lesser. Maybe it's time to retire it.
On the morning of Monday 29th January 1979, 16-year-old schoolgirl Brenda Spencer took the .22 calibre gun her father had given her as a Christmas present and aimed it at the school playground directly opposite her family home. She killed two men and injured eight children. All she would say at the time was "I don't like Mondays, it livens up the day." The incident inspired the Boomtown Rats' number one hit song. It was the first school shooting of its kind, a phenomenon that would spread across America and culminate in the infamous Columbine tragedy. This film examines allegations surrounding a seemingly ordinary suburban family behind the eerie detachment of Brenda Spencer's original statement. I Don't Like Mondays secured unique access to Brenda's prison parole hearing in September last year and includes exclusive and revealing interviews with members of Brenda's family as well as her victims. The film traces the bizarre events of that day and asks how and why it happened.
The program started and ended with the song. At the end, the Police chief condemned the song as idiotic, and the NBC reporter had similar comments. Most incredibly, one of the girls shot refered to the fact that she heard the song every Monday at about 2pm, when she started work and enjoyed it!
Most interesting was the interview of her father, Wallace, in the last part. He still lives in the same house that faces the school and the time of the interview was when the kids were leaving school. He was in total denial of his part in the incident (interestingly enough, he married his daughter's cell mate), and didn't believe the way he raised his daughter had anything to do with it. His ex-wife believed he was the one who should have been in jail.
Brenda Spencer was tried as an adult rather than a minor. She pleaded guilty to killing two people, and did not face a jury. This may have spared her the death penalty, Obviously, many of those who were shot or who lost a family member all wanted her dead and believed she would do it again if released. This was not a view shared by those detached from the incident.
Ultimately she is a fairly stupid girl/woman whose ambitions were to find any excuse to get out of jail and work on a fork lift truck. A lot of her parole hearing related the shooting to the abuse she suffered at the hands of the father, though that seems to be de rigueur for elicting sympathy these days.
The Spencers were as a family made disfunctional by a father who wanted to have affairs yet be able to return to his wife and thought nothing of the consequences of giving a 16 year old girl a rifle for Christmas.
I don't believe she would reoffend if released. In the context of the light sentences handed out to the happy slapper murderers in this country yesterday http://www.london-se1.co.uk/news/view.php?ArtID=1964, she seems to have had a bad deal. I guess it all depends on whether you believe prison is to rehabilitate or punish. Her notiriety, the first school spree killer, has ensured she is still behind bars.
Having watched the programme, I do feel that Mondays, unlike Bowling for Columbine which condemned the lax US gun laws, came across as a nasty opportunistic song. People were affected by this incident, and hearing the song must bring back a lot of bad memories.
I never felt the song was apt for either Live Aid or Live 8. It's never been one of my favourite songs, but watching this, made it seem even lesser. Maybe it's time to retire it.
Rats on BBC Radio 6
The Boomtown Rats 1978 Peel session was broadcast tonight in its entirety! Starting with Like Clockwork at approximately 10.15pm and followed by Me & Howard Hughes at 11.10pm. Then just after midnight, came (Watch Out For) The Normal People and Living In An Island.
You can catch it for up to seven days at http://www.bbc.co.uk/6music/shows/dream_ticket/
Don't miss it!
You can catch it for up to seven days at http://www.bbc.co.uk/6music/shows/dream_ticket/
Don't miss it!
Saturday, January 07, 2006
Bootlegs
A list of bootlegs - I done have any, all MP3s gratefully accepted.
Eric's Bootlist: Boomtown Rats / Bob Geldof.
Email: groenewo@tiscali.nl
URL: http://eric.wolweb.nl/boots/boots.htm
Last updated: 1 Aug 2003
the Boomtown Rats
Date #disks Artw Qual Show
-----------------------------------------------
1977? F Yes A Studio, BBC Evening session (3 songs, filler on request)
??/09/1978 1 Yes A Live Middlesex Polytechnic - Don't Believe What You Hear bootleg
??/09/1978 1 No A- Live Middlesex Polytechnic (same show as Don't Believe.. + 1 track)
05/01/1980 1 No A Live at NHK-Hall Tokyo, Japan
17/03/1980 2 No A Orpheum Th., Boston Mass)
23/03/1980 1 No B Chicago
1980 1 No A- Germany 1980
25/05/1980 1 No A- King Biscuit Flower Hour
17/03/1981 1 Yes B Seattle, Washington
25/07/1981? 1 No A- Parkpop, Den Haag?
17/04/1982 1 No B Newcastle Exhibition Park - England
25/04/1982 1 Yes A London Great Brittain
03/10/1982 1 No A B.B.C College Concert
1982 1 No A- Radio One, Frankfurt
25/05/1982 1 No A BBC Rock Hour
1983 1 No A Westwood One
1984 1 No A- On A Night Like This (from video)
11/02/1984 1 No A- BBC Sight & Sound
21/06/1985 1 No A- Glastonbury Festival
Bob Geldof
Date #disks Artw Qual Show
-----------------------------------------------
??/??/1986 1 Yes B+ Milan 1986
??/10/1990 2 Yes A Hamburg 1990
05/12/1992 1 Yes A- Oldenburg
05/12/1992 1 No A Oldenburg
30/08/1992 1 No B+ Greenbelt Festival
1993 1 No B Phoenix Club Toronto
mixed 1994 1 No B+/A- Live in Italy
20/06/1998 1 No B Wetzikon Switzerland
16/03/1999 2 No B+ Teatro Tendo Florence
08/07/2001 1 No B+/A- Rock Circus San Vittore Switzerland
08/02/2002 1 No B Trento, Italy
28/03/2002 1 Yes A Villa Berg Stuttgart
The Boomtown Rats - BBC Evening Session (1977)
01 Mary Of The 4th Form
02 Looking After Number One
03 Joey's On The Street Again
Studio recordings, date unknown
The Boomtown Rats - Live Middlesex Polytechnic (Sep 1978)
01 Mary Of The 4th Form
02 Me And Howard Hughes
03 I Never Loved Eva Braun
04 Don't Believe What You Read
05 Rat Trap
06 Kicks
07 Joey's On The Street Again
08 Living In An Island
09 She's Gonna Do You In
10 Like Clockwork
11 She's So Modern
12 Looking After Number One
13 Do The Rat
Length: 00:52:25
All tracks live at Middlesex Polytechnic, North London.
Source: FM>DAT>ANA>HD>CD Great quality (A-)!
Also available as "Don't Believe What You Hear" bootleg, lacking track 13
Length: 00:49:45; Soundboard;Quality: A+
The Boomtown Rats - Live at NHK-Hall (1980/05/01)
! Track 7 cut
01 Wind Chill Factor (Minus Zero)
02 Like Clockwork
03 Nothing Happened Today
04 I Never Loved Eva Braun
05 Nice 'n' Neat
06 Joey's On the Street Again
07 I Don't Like Mondays (end cut, tape flip)
08 Rat Trap
09 Mary of the 4th Form
10 Blind Date
11 She's So Modern
12 Looking After Number 1
13 Diamond Smiles
Source: MC(gen 1)>HD>CD
Quality: A
The Boomtown Rats - Orpheum Th., Boston Mass (17-03-1980) (2 CDR)
! A radio-reporter is talking in between some songs
CD 1
01 Wind Chill Factor (Minus Zero)
02 Like Clockwork
03 Nothing Happened Today
04 I Never Loved Eva Braun
05 Nice 'n' Neat
06 Having My Picture Taken
07 Joey's On the Street Again
08 I Don't Like Mondays
09 Someone's Looking At You (very end cut)
CD 2
01 Keep it Up (very beginning cut)
02 Rat Trap
03 Kicks
04 Mary of the 4th Form (incl Band intros)
05 Blind Date
06 She's So Modern
07 Looking After Number 1
08 Sleep (Finger's Lullaby)
Source: MC(gen 1)>HD>CD
Quality: A
The Boomtown Rats - Chicago (23/03/1980)
01 Wind Chill Factor (Minus Zero) [missing start of song]
02 Like Clockwork [flaw]
03 Nothing Happened Today
04 I Never Loved Eva Braun
05 Nice 'n' Neat
06 Having My Picture Taken
07 Joey's On the Street Again
08 I Don't Like Mondays
Quality: B
Length: 38:34
The Boomtown Rats - King Biscuit Flower Hour (25/05/1980)
01 I Don't Like Mondays
02 Like Clockwork
03 Nothing Happened Today
04 Nice 'n' Neat
05 Having My Picture Taken
06 Rat Trap
07 Kicks
08 Someone's Looking At You
Tracks 1 - 8: King Biscuit Flower Hour (25 May 1980)
Source: LP>HD>CD (I own the LP)
The Boomtown Rats - Germany 1980
01 I Don't Like Mondays (some hiss)
02 Like Clockwork
03 Nothing Happende Today
04 Nice 'n' Neat
05 Having My Picture Taken
06 Kicks
07 Someone's Looking At You
Quality: A-
Length: 29:42
The Boomtown Rats - Seattle Washington (17/03/1981)
01 I Never Loved Eva Braun [some dropouts]
02 Me And Howard Hughes
03 This Is My Room
04 Up All Night
05 Elephant's Graveyard
06 Nothing Happened Today
07 Having My Picture Taken
08 I Don't Like Mondays
09 Someone's Looking At You
10 Keep It Up
11 Rat Trap
Quality: B (track 1: some dropouts)
Source: FM
The Boomtown Rats - Parkpop, Den Haag (25/07/1981)
01 Like Clockwork
02 She's So Modern
03 House On Fire
04 Never In A Million Years
05 Having My Picture Taken
06 Rat Trap
Tracks 1 - 06: Parkpop, Den Haag (25 Jul 1981) (Dutch show, venue and source not sure)
Source: FM>MC>HD>CD (I own the MC)
Quality: A+
The Boomtown Rats - Newcastle Exhibition Park; England (17/04/1982)
01 Close As You'll Ever Be
02 Like Clockwork
03 Charmed Lives
04 House On Fire
05 Nothing Happened Today
06 I Don't Like Mondays
07 Joey's On The Street Again
08 Having My Picture Taken
09 Rat Trap
10 Someone's Looking At You
11 Keep It Up
12 Looking After Number 1
Source: MC(gen 1)>HD>CD
Quality: A-
I also have a second source of this show, having first 11 tracks;
Quality: B, Lenght: 56:53
The Boomtown Rats - London Great Brittain (25/04/1982)
01 Like Clockwork
02 Charmed Lives
03 Up All Night
04 House On Fire
05 Wind Chill Factor (Minus Zero)
06 Never In A Million Years
07 Sleep (Finger's Lullaby)
08 I Don't Like Mondays
09 Having My Picture Taken
10 Rat Trap
The Boomtown Rats - BBC Rock Hour (25/05/1982)
01 Like Clockwork
02 Charmed Lives
03 Up All Night
04 I Don't Like Mondays
05 Rat Trap
Tracks 1 - 5: BBC Rock Hour (25 May 1982)
Source: LP>HD>CD (I own the LP)
The Boomtown Rats - B.B.C College Concert (03/10/1982) (CDR)
01 Like Clockwork
02 Charmed Lives
03 Up All Night
04 House On Fire
05 Nothing Happened Today
06 Never In A Million Years
07 Sleep (Finger's Lullaby)
08 I Don't Like Mondays
09 Having My Picture Taken
10 Rat Trap
11 Keep It Up
LP>HD>CD (I own the LP)
Quality: A+
Length: 51:42
The Boomtown Rats - Westwood One (1983)
01 Nothing Happened Today
02 Never In A Million Years
03 I Don't Like Mondays
04 Having My Picture Taken
05 Rat Trap
06 Keep It Up
Tracks 1 - 12: Westwood One (1983)
Source: LP>HD>CD (I own the LP)
Quality: A+
The Boomtown Rats - On A Night Like This (1984)
01 Elephant's Graveyard
02 Charmed Lives
03 Lucky
04 Neon Heart
05 Someone's Looking At You
06 Dave (Rain)
07 Hold Of Me
08 I Don't Like Mondays
09 Talk In Code
10 Rat Trap
11 Drag Me Down
12 Looking After Number 1
Quality: A- Very small disturbances inbetween songs: probably a TAO recording corrected to DAO
The Boomtown Rats - BBC Sight & Sound (11-02-1984)
! some minor disturbances in track 1 and 2
! dropout in track 6
01 Like Clockwork
02 Charmed Lives
03 Lucky
04 Tonight
05 Talking In Code
06 Someone's Looking At You
07 Dave
08 Rat Trap
source: FM
Quality: A-
Length: 38:53
The Boomtown Rats - Glastonbury Festival (21/06/1985)
01 Charmed Lives
02 Neon Heart
03 Wind Chill Factor
04 Dave
05 I Don't Like Mondays
06 Talking In Code
07 Hurt Hurts
08 Rat Trap
09 Drag Me Down
10 Looking After Number 1
Source: FM>ANA>CDR
Quality: A
Bob Geldof - Milan (1986)
01 Redemption Song (B.Marley)
02 In The Pouring Rain
03 Me And Howard Hughes
04 This Heartless Heart
05 Good Boys In The Wrong
06 The Beat Of The Night
07 Intermezzo
08 Hurt Hurts
09 Love Like A Rocket
10-11 This Is The World Calling
12 When I Was Young
13 Joey's On The Street Again
14 audience
15 Diamond Smiles
Lenght: 73:58
Quality: B+
Source: audience
Bob Geldof - Hamburg (Oct 1990)
CD 1
01 The Great Song Of Indifference
02 The Chains Of Pain
03 A Gospel Song
04 A Rose At Night
05 Love Or Something
06 Moving Slow
07 The Heat Of The Night
08 I Don't Like Mondays
09 Walking Back To Happiness
10 Looking After Number 1
11 Let It Go
12 Rat Trap
13 Big Romantic Stuff
CD 2 encores
01 The Great Song Of Indifference - reprise
02 Love Like A Rocket
03 Hole To Fill
All tracks live at Hamburg, oct 1990.
Quality: sndb
Note: I also have another copy of this show, only having the first 13 tracks.
Bob Geldof - Oldenburg 1 (05/12/1992) (CDR)
I have two different copies of this show
! track 10 cut at the end
01 Too Late God
02 A Hole To Fill
03 A Gospel Song
04 Love Or Something
05 I Don't Like Mondays
06 Room 19
07 The Happy Club
08 The Great Song Of Indifference
09 Roads Of Germany
10 Walking Back To Happiness [cut]
11 The Great Song Of Indifference (reprise)
12 Love Like A Rocket
13 A Hole To Fill
Quality: A-
Bob Geldof - Oldenburg 2 (05/12/1992)
01 backstage interview
02 The Great Song Of Indifference
03 Too Late God
04 A Hole To Fill
05 A Gospel Song
06 Love Or Something
07 I Don't Like Mondays
08 Room 19
09 Walking Back To Happiness
10 Let It Go [cut at beginning]
11 The Happy Club
12 The Great Song Of Indifference
13 Roads Of Germany
Length: 62:45
Quality: A
Bob Geldof - Greenbelt Festival (30/08/1992)
01 The great song of indifference
02 Too late God
03 The chains of pain
04 A Gospel Song
05 Love Or Something
06 The Beat Of The Night
07 I Don't Like Mondays
08 Room 19
09 Let It Go
10 The End Of The World
11 Rat Trap
12 Big Romantic Stuff / The Great Song Of Indifference ( reprise )
All tracks live at the Greenbelt Festival;30 Aug 1992
Quality: audience, B+
Bob Geldof - Phoenix Club Toronto 1993
01 The Great Song Of Indifference
02 Too Late God
03 The chains of pain
04 A Gospel Song
05 Love Or Something
06 The Beat Of The Night
07 I Don't Like Mondays
08 Walking Back To Happiness
09 Rat Trap
Source: audience
Quality: B
Total: 48:34
Bob Geldof - Live in Italy 1994
01 The Great Song Of Indifference 5:36
02 Crazy 4:32
03 I Don't Like Mondays 5:12
04 Bob Interview 2:23
05 Crazy 5:06
06 Love Or Something 3:49
07 The Beat Of The Night 5:59
08 I Don't Like Mondays 5:01
09 Crazy (acoustic version) 3:59
10 I Don't Like Mondays 4:33
11 The Great Song Of Indifference 3:57
12 Crazy (acoustic version) 5:50
13 Too Late God 4:07
14 I Don't Like Mondays 2:55
Length: 63:01
Tracks 1 - 3 Rome; 1 May 1994
Tracks 4 - 8 Gimmi's; Milan; 2 May 1994
Tracks 9 - 11 Roxy Bar; Bologna(?) May 1994
Track 12 M Costanzo Show; Rome May 1994
Tracks 13 - 14 Recanati; May 1994
Quality B+/A-, mostly fm
Bob Geldof - Wetzikon Switzerland (20/06/1998)
! start missing
01 The Great Song Of Indifference
02 Too Late God
03 The Chains Of Pain
04 Inside Your Head (version 1
05 A Gospel Song
06 Love Or Something
07 The Beat Of The Night
08 My Hippy Angel
09 I Don't Like Mondays
10 Banana Republic
11 Room 19
Source: audience
Quality: B
Total: 52:40
Bob Geldof - Teatro Tendo Florence (16/03/1999)
CD 1
01 The Great Song Of Indifference
02 Too Late God
03 The Chains Of Pain
04 A Gospel Song
05 A Sex Thing
06 Love Or Something
07 The Beat Of The Night
08 My Hippy Angel
09 I Don't Like Mondays
CD 2
01 Banana Republic
02 Room 19
03 Attitude Chicken
04 The End Of The World
05 Rat Trap
06 Inside Your Head (version 2)
07 Huge Birdless Silence
08 A Hole To Fill
Length: 45:45 + 39:08
Source: audience
Quality: B+
Bob Geldof - Rock Circus , San Vittore Switzerland (08-07-2001)
01 The Great Song Of Indifference
02 Too Late God
03 The Chains Of Pain
04 A Gospel Song
05 A Sex Thing
06 One For Me
07 Inside Your Head
08 Mudslide
09 I Don't Like Mondays
10 My Birthday Suit
11 Room 19
12 Attitude Chicken
13 A Hole To Fill
14 The End Of The World
15 Rat trap
16 Pale White Girls
17 Huge Birdless Silence
18 The Great Song Of Indifference
Length: 78:04
All tracks live at Rock Circus, San Vittore;Switzerland;8 July 2001
audience recording
Quality B+/A-
Bob Geldof - Trento (08/02/2002)
! fade in start
01 Too Late God
02 The Chains Of Pain
03 A Gospel Song
04 A Sex Thing
05 Walking Back To Happiness
06 One For Me
07 Mudslide
08 I Don't Like Mondays
09 My Birhtday Suit
10 Room 19
11 Attitude Chicken
12 Inside Your Head
Source: audience
Quality: B
Total: 55:08
Bob Geldof - Villa Berg Stuttgart (28/03/2002)
01 radio intro
02 The Great Song Of Indifference
03 A Gospel Song
04 A Sex Thing
05 Walking Back To Happiness
06 introducing new songs
07 One For Me
08 Mudslide
09 I Don't Like Mondays
10 radio outro
Quality A
Eric's Bootlist: Boomtown Rats / Bob Geldof.
Email: groenewo@tiscali.nl
URL: http://eric.wolweb.nl/boots/boots.htm
Last updated: 1 Aug 2003
the Boomtown Rats
Date #disks Artw Qual Show
-----------------------------------------------
1977? F Yes A Studio, BBC Evening session (3 songs, filler on request)
??/09/1978 1 Yes A Live Middlesex Polytechnic - Don't Believe What You Hear bootleg
??/09/1978 1 No A- Live Middlesex Polytechnic (same show as Don't Believe.. + 1 track)
05/01/1980 1 No A Live at NHK-Hall Tokyo, Japan
17/03/1980 2 No A Orpheum Th., Boston Mass)
23/03/1980 1 No B Chicago
1980 1 No A- Germany 1980
25/05/1980 1 No A- King Biscuit Flower Hour
17/03/1981 1 Yes B Seattle, Washington
25/07/1981? 1 No A- Parkpop, Den Haag?
17/04/1982 1 No B Newcastle Exhibition Park - England
25/04/1982 1 Yes A London Great Brittain
03/10/1982 1 No A B.B.C College Concert
1982 1 No A- Radio One, Frankfurt
25/05/1982 1 No A BBC Rock Hour
1983 1 No A Westwood One
1984 1 No A- On A Night Like This (from video)
11/02/1984 1 No A- BBC Sight & Sound
21/06/1985 1 No A- Glastonbury Festival
Bob Geldof
Date #disks Artw Qual Show
-----------------------------------------------
??/??/1986 1 Yes B+ Milan 1986
??/10/1990 2 Yes A Hamburg 1990
05/12/1992 1 Yes A- Oldenburg
05/12/1992 1 No A Oldenburg
30/08/1992 1 No B+ Greenbelt Festival
1993 1 No B Phoenix Club Toronto
mixed 1994 1 No B+/A- Live in Italy
20/06/1998 1 No B Wetzikon Switzerland
16/03/1999 2 No B+ Teatro Tendo Florence
08/07/2001 1 No B+/A- Rock Circus San Vittore Switzerland
08/02/2002 1 No B Trento, Italy
28/03/2002 1 Yes A Villa Berg Stuttgart
The Boomtown Rats - BBC Evening Session (1977)
01 Mary Of The 4th Form
02 Looking After Number One
03 Joey's On The Street Again
Studio recordings, date unknown
The Boomtown Rats - Live Middlesex Polytechnic (Sep 1978)
01 Mary Of The 4th Form
02 Me And Howard Hughes
03 I Never Loved Eva Braun
04 Don't Believe What You Read
05 Rat Trap
06 Kicks
07 Joey's On The Street Again
08 Living In An Island
09 She's Gonna Do You In
10 Like Clockwork
11 She's So Modern
12 Looking After Number One
13 Do The Rat
Length: 00:52:25
All tracks live at Middlesex Polytechnic, North London.
Source: FM>DAT>ANA>HD>CD Great quality (A-)!
Also available as "Don't Believe What You Hear" bootleg, lacking track 13
Length: 00:49:45; Soundboard;Quality: A+
The Boomtown Rats - Live at NHK-Hall (1980/05/01)
! Track 7 cut
01 Wind Chill Factor (Minus Zero)
02 Like Clockwork
03 Nothing Happened Today
04 I Never Loved Eva Braun
05 Nice 'n' Neat
06 Joey's On the Street Again
07 I Don't Like Mondays (end cut, tape flip)
08 Rat Trap
09 Mary of the 4th Form
10 Blind Date
11 She's So Modern
12 Looking After Number 1
13 Diamond Smiles
Source: MC(gen 1)>HD>CD
Quality: A
The Boomtown Rats - Orpheum Th., Boston Mass (17-03-1980) (2 CDR)
! A radio-reporter is talking in between some songs
CD 1
01 Wind Chill Factor (Minus Zero)
02 Like Clockwork
03 Nothing Happened Today
04 I Never Loved Eva Braun
05 Nice 'n' Neat
06 Having My Picture Taken
07 Joey's On the Street Again
08 I Don't Like Mondays
09 Someone's Looking At You (very end cut)
CD 2
01 Keep it Up (very beginning cut)
02 Rat Trap
03 Kicks
04 Mary of the 4th Form (incl Band intros)
05 Blind Date
06 She's So Modern
07 Looking After Number 1
08 Sleep (Finger's Lullaby)
Source: MC(gen 1)>HD>CD
Quality: A
The Boomtown Rats - Chicago (23/03/1980)
01 Wind Chill Factor (Minus Zero) [missing start of song]
02 Like Clockwork [flaw]
03 Nothing Happened Today
04 I Never Loved Eva Braun
05 Nice 'n' Neat
06 Having My Picture Taken
07 Joey's On the Street Again
08 I Don't Like Mondays
Quality: B
Length: 38:34
The Boomtown Rats - King Biscuit Flower Hour (25/05/1980)
01 I Don't Like Mondays
02 Like Clockwork
03 Nothing Happened Today
04 Nice 'n' Neat
05 Having My Picture Taken
06 Rat Trap
07 Kicks
08 Someone's Looking At You
Tracks 1 - 8: King Biscuit Flower Hour (25 May 1980)
Source: LP>HD>CD (I own the LP)
The Boomtown Rats - Germany 1980
01 I Don't Like Mondays (some hiss)
02 Like Clockwork
03 Nothing Happende Today
04 Nice 'n' Neat
05 Having My Picture Taken
06 Kicks
07 Someone's Looking At You
Quality: A-
Length: 29:42
The Boomtown Rats - Seattle Washington (17/03/1981)
01 I Never Loved Eva Braun [some dropouts]
02 Me And Howard Hughes
03 This Is My Room
04 Up All Night
05 Elephant's Graveyard
06 Nothing Happened Today
07 Having My Picture Taken
08 I Don't Like Mondays
09 Someone's Looking At You
10 Keep It Up
11 Rat Trap
Quality: B (track 1: some dropouts)
Source: FM
The Boomtown Rats - Parkpop, Den Haag (25/07/1981)
01 Like Clockwork
02 She's So Modern
03 House On Fire
04 Never In A Million Years
05 Having My Picture Taken
06 Rat Trap
Tracks 1 - 06: Parkpop, Den Haag (25 Jul 1981) (Dutch show, venue and source not sure)
Source: FM>MC>HD>CD (I own the MC)
Quality: A+
The Boomtown Rats - Newcastle Exhibition Park; England (17/04/1982)
01 Close As You'll Ever Be
02 Like Clockwork
03 Charmed Lives
04 House On Fire
05 Nothing Happened Today
06 I Don't Like Mondays
07 Joey's On The Street Again
08 Having My Picture Taken
09 Rat Trap
10 Someone's Looking At You
11 Keep It Up
12 Looking After Number 1
Source: MC(gen 1)>HD>CD
Quality: A-
I also have a second source of this show, having first 11 tracks;
Quality: B, Lenght: 56:53
The Boomtown Rats - London Great Brittain (25/04/1982)
01 Like Clockwork
02 Charmed Lives
03 Up All Night
04 House On Fire
05 Wind Chill Factor (Minus Zero)
06 Never In A Million Years
07 Sleep (Finger's Lullaby)
08 I Don't Like Mondays
09 Having My Picture Taken
10 Rat Trap
The Boomtown Rats - BBC Rock Hour (25/05/1982)
01 Like Clockwork
02 Charmed Lives
03 Up All Night
04 I Don't Like Mondays
05 Rat Trap
Tracks 1 - 5: BBC Rock Hour (25 May 1982)
Source: LP>HD>CD (I own the LP)
The Boomtown Rats - B.B.C College Concert (03/10/1982) (CDR)
01 Like Clockwork
02 Charmed Lives
03 Up All Night
04 House On Fire
05 Nothing Happened Today
06 Never In A Million Years
07 Sleep (Finger's Lullaby)
08 I Don't Like Mondays
09 Having My Picture Taken
10 Rat Trap
11 Keep It Up
LP>HD>CD (I own the LP)
Quality: A+
Length: 51:42
The Boomtown Rats - Westwood One (1983)
01 Nothing Happened Today
02 Never In A Million Years
03 I Don't Like Mondays
04 Having My Picture Taken
05 Rat Trap
06 Keep It Up
Tracks 1 - 12: Westwood One (1983)
Source: LP>HD>CD (I own the LP)
Quality: A+
The Boomtown Rats - On A Night Like This (1984)
01 Elephant's Graveyard
02 Charmed Lives
03 Lucky
04 Neon Heart
05 Someone's Looking At You
06 Dave (Rain)
07 Hold Of Me
08 I Don't Like Mondays
09 Talk In Code
10 Rat Trap
11 Drag Me Down
12 Looking After Number 1
Quality: A- Very small disturbances inbetween songs: probably a TAO recording corrected to DAO
The Boomtown Rats - BBC Sight & Sound (11-02-1984)
! some minor disturbances in track 1 and 2
! dropout in track 6
01 Like Clockwork
02 Charmed Lives
03 Lucky
04 Tonight
05 Talking In Code
06 Someone's Looking At You
07 Dave
08 Rat Trap
source: FM
Quality: A-
Length: 38:53
The Boomtown Rats - Glastonbury Festival (21/06/1985)
01 Charmed Lives
02 Neon Heart
03 Wind Chill Factor
04 Dave
05 I Don't Like Mondays
06 Talking In Code
07 Hurt Hurts
08 Rat Trap
09 Drag Me Down
10 Looking After Number 1
Source: FM>ANA>CDR
Quality: A
Bob Geldof - Milan (1986)
01 Redemption Song (B.Marley)
02 In The Pouring Rain
03 Me And Howard Hughes
04 This Heartless Heart
05 Good Boys In The Wrong
06 The Beat Of The Night
07 Intermezzo
08 Hurt Hurts
09 Love Like A Rocket
10-11 This Is The World Calling
12 When I Was Young
13 Joey's On The Street Again
14 audience
15 Diamond Smiles
Lenght: 73:58
Quality: B+
Source: audience
Bob Geldof - Hamburg (Oct 1990)
CD 1
01 The Great Song Of Indifference
02 The Chains Of Pain
03 A Gospel Song
04 A Rose At Night
05 Love Or Something
06 Moving Slow
07 The Heat Of The Night
08 I Don't Like Mondays
09 Walking Back To Happiness
10 Looking After Number 1
11 Let It Go
12 Rat Trap
13 Big Romantic Stuff
CD 2 encores
01 The Great Song Of Indifference - reprise
02 Love Like A Rocket
03 Hole To Fill
All tracks live at Hamburg, oct 1990.
Quality: sndb
Note: I also have another copy of this show, only having the first 13 tracks.
Bob Geldof - Oldenburg 1 (05/12/1992) (CDR)
I have two different copies of this show
! track 10 cut at the end
01 Too Late God
02 A Hole To Fill
03 A Gospel Song
04 Love Or Something
05 I Don't Like Mondays
06 Room 19
07 The Happy Club
08 The Great Song Of Indifference
09 Roads Of Germany
10 Walking Back To Happiness [cut]
11 The Great Song Of Indifference (reprise)
12 Love Like A Rocket
13 A Hole To Fill
Quality: A-
Bob Geldof - Oldenburg 2 (05/12/1992)
01 backstage interview
02 The Great Song Of Indifference
03 Too Late God
04 A Hole To Fill
05 A Gospel Song
06 Love Or Something
07 I Don't Like Mondays
08 Room 19
09 Walking Back To Happiness
10 Let It Go [cut at beginning]
11 The Happy Club
12 The Great Song Of Indifference
13 Roads Of Germany
Length: 62:45
Quality: A
Bob Geldof - Greenbelt Festival (30/08/1992)
01 The great song of indifference
02 Too late God
03 The chains of pain
04 A Gospel Song
05 Love Or Something
06 The Beat Of The Night
07 I Don't Like Mondays
08 Room 19
09 Let It Go
10 The End Of The World
11 Rat Trap
12 Big Romantic Stuff / The Great Song Of Indifference ( reprise )
All tracks live at the Greenbelt Festival;30 Aug 1992
Quality: audience, B+
Bob Geldof - Phoenix Club Toronto 1993
01 The Great Song Of Indifference
02 Too Late God
03 The chains of pain
04 A Gospel Song
05 Love Or Something
06 The Beat Of The Night
07 I Don't Like Mondays
08 Walking Back To Happiness
09 Rat Trap
Source: audience
Quality: B
Total: 48:34
Bob Geldof - Live in Italy 1994
01 The Great Song Of Indifference 5:36
02 Crazy 4:32
03 I Don't Like Mondays 5:12
04 Bob Interview 2:23
05 Crazy 5:06
06 Love Or Something 3:49
07 The Beat Of The Night 5:59
08 I Don't Like Mondays 5:01
09 Crazy (acoustic version) 3:59
10 I Don't Like Mondays 4:33
11 The Great Song Of Indifference 3:57
12 Crazy (acoustic version) 5:50
13 Too Late God 4:07
14 I Don't Like Mondays 2:55
Length: 63:01
Tracks 1 - 3 Rome; 1 May 1994
Tracks 4 - 8 Gimmi's; Milan; 2 May 1994
Tracks 9 - 11 Roxy Bar; Bologna(?) May 1994
Track 12 M Costanzo Show; Rome May 1994
Tracks 13 - 14 Recanati; May 1994
Quality B+/A-, mostly fm
Bob Geldof - Wetzikon Switzerland (20/06/1998)
! start missing
01 The Great Song Of Indifference
02 Too Late God
03 The Chains Of Pain
04 Inside Your Head (version 1
05 A Gospel Song
06 Love Or Something
07 The Beat Of The Night
08 My Hippy Angel
09 I Don't Like Mondays
10 Banana Republic
11 Room 19
Source: audience
Quality: B
Total: 52:40
Bob Geldof - Teatro Tendo Florence (16/03/1999)
CD 1
01 The Great Song Of Indifference
02 Too Late God
03 The Chains Of Pain
04 A Gospel Song
05 A Sex Thing
06 Love Or Something
07 The Beat Of The Night
08 My Hippy Angel
09 I Don't Like Mondays
CD 2
01 Banana Republic
02 Room 19
03 Attitude Chicken
04 The End Of The World
05 Rat Trap
06 Inside Your Head (version 2)
07 Huge Birdless Silence
08 A Hole To Fill
Length: 45:45 + 39:08
Source: audience
Quality: B+
Bob Geldof - Rock Circus , San Vittore Switzerland (08-07-2001)
01 The Great Song Of Indifference
02 Too Late God
03 The Chains Of Pain
04 A Gospel Song
05 A Sex Thing
06 One For Me
07 Inside Your Head
08 Mudslide
09 I Don't Like Mondays
10 My Birthday Suit
11 Room 19
12 Attitude Chicken
13 A Hole To Fill
14 The End Of The World
15 Rat trap
16 Pale White Girls
17 Huge Birdless Silence
18 The Great Song Of Indifference
Length: 78:04
All tracks live at Rock Circus, San Vittore;Switzerland;8 July 2001
audience recording
Quality B+/A-
Bob Geldof - Trento (08/02/2002)
! fade in start
01 Too Late God
02 The Chains Of Pain
03 A Gospel Song
04 A Sex Thing
05 Walking Back To Happiness
06 One For Me
07 Mudslide
08 I Don't Like Mondays
09 My Birhtday Suit
10 Room 19
11 Attitude Chicken
12 Inside Your Head
Source: audience
Quality: B
Total: 55:08
Bob Geldof - Villa Berg Stuttgart (28/03/2002)
01 radio intro
02 The Great Song Of Indifference
03 A Gospel Song
04 A Sex Thing
05 Walking Back To Happiness
06 introducing new songs
07 One For Me
08 Mudslide
09 I Don't Like Mondays
10 radio outro
Quality A
Tuesday, December 13, 2005
Sunday, December 04, 2005
Bob Geldog (sic)
http://www.sundaymail.co.uk/news/tm_objectid=16444375&method=full&site id=64736&headline=bobby-geldog--name_page.html
BOB GELDOG
Boomtown Rat trains pups
By Raymond Hainey
GERRY COTT found fame as a guitarist with Bob Geldof's punk band Boomtown Rats - now he's teamed up with another Bobby in a bid for big-screen success.
Gerry added: "I shared a twin room with Bobby in a hotel near the castle so we only had to walk a few hundred yards to work.
"It was a dream job - if I live to be 90, I'll look back on it as a very special period.'
BOB GELDOG
Boomtown Rat trains pups
By Raymond Hainey
GERRY COTT found fame as a guitarist with Bob Geldof's punk band Boomtown Rats - now he's teamed up with another Bobby in a bid for big-screen success.
Gerry added: "I shared a twin room with Bobby in a hotel near the castle so we only had to walk a few hundred yards to work.
"It was a dream job - if I live to be 90, I'll look back on it as a very special period.'
Friday, November 18, 2005
Is That It?
Perhaps the only book that tells the story of the Boomtown Rats, from their beginnings through to post In The Long Grass. The first edition of this book ends post-Live Aid. Available again in paperback.
Paperback 448 pages
Publisher: Pan
Language: English
ISBN: 0330442929
Monday, November 14, 2005
Great Songs of Indifference - Geldof Solo Anthology 1986 - 2001
Great Songs of Indifference - The Anthology 1986 - 2001 Mercury/Universal 983 376-8
The more or less complete solo recordings of Bob Geldof to date. There are a handful of tracks that are only available on the singles (see Solo Discography) , the most notable omission being Crazy, but this covers the four albums with a smattering of b-sides, previously unreleased tracks, and a version of Sunny Afternoon that only previously appeared on the Ruby Trax compilation. For reference, I have included the original UK/US catalogue number.
As for the albums themselves, maybe I should dig them all out and have a proper listen to them before passing opinion, but it is generally acknowledged that Sex, Age & Death is the most critically acclaimed, and Vegetarians of Love the most commercially successful reaching number 21 in the UK album charts in August 1990 (none of the others charted in the UK).
Deep in the Heart of Nowhere (November 1986) MERCURY 830 607-2/ATLANTIC 7567-81687-1
- This Is The World Calling
- In The Pouring Rain
- August Was A Heavy Month
- Love Like A Rocket
- I Cry Too
- When I Was Young
- This Heartless Heart
- The Beat Of The Night
- Truly True Blue CD only
- Pulled Apart By Horses CD only
- Words From Heaven
- Good Boys In The Wrong CD only
- Night Turns To Day
- Deep In The Heart Of Nowhere
- Dig A Ditch previously unreleased
- Friends For Life Love or Something b-side
- Life Is The Hardest Thing previously unreleased
- August Was A Heavy Month - Instrumental previously unreleased
NOTE : On it's original release as an LP and a CD, there were three tracks that only appeared on CD.
The Vegetarians of Love (August 13, 1990) MERCURY 846 250-2/ATLANTIC 7 82041-2
- Gospel Song
- Love Or Something
- The Great Song Of Indifference
- Thinking Voyager 2 Type Things
- Big Romantic Stuff
- Crucified Me
- Chains Of Pain
- Rose At Night
- No Small Wonder
- Walking Back To Happiness
- Let It Go
- End Of The World
- Out Of Order Love or Something b-side
- Hotel 75 The Great Song Of Indifference b-side
- One Of The Girls Love or Something b-side
- The Original Miss Jesus from US Sex, Age & Death KOK-CD-8415
- Vegetarians Of Love A Gospel Song b-side
- Sunny Afternoon from Ruby Trax - The NME'S Roaring Forty (November 1992) NME40CD/NME40MC
- La Chanson De L'indifference from MERCURY 1385
The Happy Club (April 20, 1993) Vertigo 512 896-1/Polydor 314 519 132-2
- Room 19 (Sha La La La Lee)
- Attitude Chicken
- The Soft Soil
- A Hole To Fill
- Song Of The Emergent Nationalist
- My Hippy Angel
- The Happy Club
- Down On Me
- Too Late God
- Roads Of Germany (After BD)
- Sex Thing
- House At The Top Of The World
- Shine On previously unreleased
- Huge Birdless Silence Room 19 (Sha La La La Lee) b-side
- Maybe Heaven My Hippy Angel b-side
NOTE :Yeah, Definitely which is not here, appeared on the US release (and as a one track promo single). A Hole To Fill on the US release is an alternative version with different lyrics. The US release has a very different running order.
Sex, Age & Death (May 1, 2002) EAGLE EAGCD187/KOCH KOK-CD-8415
- One For Me
- $6,000,000 Loser
- Pale White Girls
- New Routine
- Mudslide
- Mind In Pocket
- My Birthday Suit
- Scream In Vain
- Inside Your Head
- 10.15
- Summer Day (London '95) previously unreleased
- Sighs And Whispers previously unreleased
- Voodoo Child previously unreleased
- Two Dogs previously unreleased
- Harvest Moon previously unreleased
- Summer Night (London '95) previously unreleased
- Pale White Girls (French Mix) previously unreleased
- Cool Blue Easy from US Sex, Age & Death KOK-CD-8415
- Pity The Poor Drifters previously unreleased
NOTE : Cool Blue Easy and The Original Miss Jesus both appeared on the Koch US release.
This demo also accompanied the release. This is a UK 10-track promotional only CD on Mercury Records packaged in custom card sleeve.
s.a.d too (Cat#GSOI 1)
- Summer Day (London '95) previously unreleased
- Sighs And Whispers previously unreleased
- Voodoo Child previously unreleased
- Two Dogs previously unreleased
- Harvest Moon previously unreleased
- Summer Night (London '95) previously unreleased
- Pale White Girls (French Mix) previously unreleased
- Cool Blue Easy from US Sex, Age & Death KOK-CD-8415
- The Original Miss Jesus from US Sex, Age & Death KOK-CD-8415
- Pity The Poor Drifters previously unreleased
Tuesday, September 06, 2005
Crowded World
I know very little of this, but Mataya Clifford recorded this with Geldof and it was released on Black Magic Records
Artist: Mataya Clifford
Release date: 06/09/2005
Genre: Reggae
Label: Black Magic Records
Wednesday, August 03, 2005
Gerry Cott Speaks Out!
http://www.ias.org.uk/resources/publications/alcoholalert/alert200501/al200501_p12.htmlGerry Cott was a founder member, with Bob Geldof, of the Boomtown Rats. He gave up the life of a pop star and almost accidentally fell into a career as an animal behaviourist and animal filming consultant. His clients including 20th Century Fox, Disney, BBC, ITV, CH4 and many international advertising brands. He lives with his wife, Cathy, and their children in a Surrey village.
A comfortable, pleasant life you might think but the idyll was shattered by the noise coming from the local pub which is right next to the Cotts house. It is easy to think of the problem of alcohol-related nuisance being an urban phenomenon and it may be that the majority of trouble is experienced in inner cities but increasingly the by-products of the binge drinking culture are being felt in the countryside.
Gerry Cott was led into the field of alcohol policy by the particular difficulties he was facing in his home. In the process he was led to conclusions about the problems posed by the industry to society in general.
“Tony Blair says binge drinking is the new British Disease”. “Wrong Tony”, says Cott! “Government sponsored corporate greed from Big Alcohol is the new British Disease – Binge drinking is just a symptom of that disease. Think again Tony, before you destroy the country!”
Tuesday, June 14, 2005
Rats sue Geldof
Bob Geldof is to face a legal challenge from four former members of the Boomtown Rats who claim he owes them unpaid royalties.
The dispute came to light in a statement issued by Gerry Cott, who quit the band in 1981, John Moylett, the pyjama-clad pianist who performed under the name Johnny Fingers, Simon Crowe, and Garrick Roberts.
"We jointly confirm that with the utmost regret we are pressing ahead with our claims against Bob Geldof and others for our rightful entitlement to a proper share of recording, publishing and merchandising income," the statement said.
''We have retained the London solicitor Angel and Co to act on our behalf and anticipate that proceedings will have to be issued shortly. We have no further comment at this stage."
The four musicians have listed their grievances in letters to the Performing Right Society (PRS), which collects licence fees for the public performance and broadcast of music, and the Mechanical Copyright Protection Society (MCPS), which collects and distributes royalties.
They have also asked for financial information from Universal Music, who released re-mastered versions of the Boomtown Rats' six albums in February.
Geldof is credited as the sole writer on many of the songs. However, the other band members claim that their input into the records has not been recognised. They also claim it was agreed that all band members should benefit from record sales. Under this arrangement, the principal writer (or writers) receive half the proceeds from individual songs while the remaining 50 per cent is shared amongst the rest.
The dispute came to light in a statement issued by Gerry Cott, who quit the band in 1981, John Moylett, the pyjama-clad pianist who performed under the name Johnny Fingers, Simon Crowe, and Garrick Roberts.
"We jointly confirm that with the utmost regret we are pressing ahead with our claims against Bob Geldof and others for our rightful entitlement to a proper share of recording, publishing and merchandising income," the statement said.
''We have retained the London solicitor Angel and Co to act on our behalf and anticipate that proceedings will have to be issued shortly. We have no further comment at this stage."
The four musicians have listed their grievances in letters to the Performing Right Society (PRS), which collects licence fees for the public performance and broadcast of music, and the Mechanical Copyright Protection Society (MCPS), which collects and distributes royalties.
They have also asked for financial information from Universal Music, who released re-mastered versions of the Boomtown Rats' six albums in February.
Geldof is credited as the sole writer on many of the songs. However, the other band members claim that their input into the records has not been recognised. They also claim it was agreed that all band members should benefit from record sales. Under this arrangement, the principal writer (or writers) receive half the proceeds from individual songs while the remaining 50 per cent is shared amongst the rest.
Wednesday, March 09, 2005
Rats are 26th in People's Choice Top 100 Irish albums...
What an injustice!
http://www.hotpress.com/top100albums/
The Boomtown Rats
Tonic For the Troops
(26/100 The People's Choice)
(Mulligan)
E O'Connor, hotpress.com:
"My older brother got A Tonic For The Troops free with a hotpress subscription back in 1978 and we just played it like crazy. This was the sound of Ireland and the world as we knew it in ‘78. I still play it today – the songs are great and it brings back memories of a simpler time. Walk, don’t walk, Talk, don’t talk!"
Ja Walsh, hotpress.com:
"When you’re young, innocent and naive, you have to look to your elders to see what’s really going on, and in 1978, A Tonic For The Troops was it. For a wet-behind-the-ears pre-teen (even before the term existed!) these songs were all classics. Every word was learnt off and every copybook was adorned with a picture to represent each song. But best of all was that, in singing these songs, you could say things that you would never get away with in normal conversation. God bless Sir Bob and the Rats for this gem. For a record of its time, it's now timeless."
http://www.hotpress.com/top100albums/
The Boomtown Rats
Tonic For the Troops
(26/100 The People's Choice)
(Mulligan)
E O'Connor, hotpress.com:
"My older brother got A Tonic For The Troops free with a hotpress subscription back in 1978 and we just played it like crazy. This was the sound of Ireland and the world as we knew it in ‘78. I still play it today – the songs are great and it brings back memories of a simpler time. Walk, don’t walk, Talk, don’t talk!"
Ja Walsh, hotpress.com:
"When you’re young, innocent and naive, you have to look to your elders to see what’s really going on, and in 1978, A Tonic For The Troops was it. For a wet-behind-the-ears pre-teen (even before the term existed!) these songs were all classics. Every word was learnt off and every copybook was adorned with a picture to represent each song. But best of all was that, in singing these songs, you could say things that you would never get away with in normal conversation. God bless Sir Bob and the Rats for this gem. For a record of its time, it's now timeless."
Monday, March 07, 2005
Live At Hammersmith Odeon, 1978 DVD
Though this has been released in a variety of guises on VHS down the years (mono/stereo with a variety of covers and titles) now it is finally released on DVD. It differs from the original VHS video, in the visual mixing, but the original concert is pretty much intact, and that's what matters.
The one thing that strikes you is how good the Rats were live at that time. In many cases, the live versions are better than the studio versions. She's Gonna Do You In and Kicks are just stupendous live.
Essentially this concert is Tonic for the Troops live. It's a shame the Surfacing tour was never recorded for posterity.
Reminise on Pete Briquette's Wilco Johnson impressions, and how cool Gerry Cott was. Fag hanging out the side of his mouth while he reels off a fantastic guitar solo. And as for Geldof's red trousers. Was that a sock in his pocket or was he just pleased to see the cameras? His flies even burst open at one point; there wasn't much room in there.
A rare chance to see the Boomtown Rats at what was more or less their peak. Cherish it!
Tracklist:
1. Blind Date
2. I Never Loved Eva Braun
3. Me And Howard Hughes
4. She's Gonna Do You In
5. Rat Trap
6. Kicks
7. Joey's On The Street Again
8. She's So Modern
9. Don't Believe What You Read
10. Like Clockwork
11. Do The Rat
12. Looking After No.1
'Neon Heart' - bonus audio track
'Living On An Island' - bonus audio track
'Mary Of The Fourth Form' - bonus audio track
Promo videos for Pale White Girls and One For Me from Bob Geldof's solo album Sex, Age And Death
Saturday, February 19, 2005
Rats Albums in the US/UK Charts
Today saw the re-entry of the Best of in the UK charts at number 46. None of the re-releases made the official top 200, despite all making a good showing on the Amazon Hot 100. Though of course they all did chart on their original release.
UK ALBUMS
BOOMTOWN RATS
US ALBUMS
TONIC FOR THE TROOPS
UK ALBUMS
BOOMTOWN RATS
- Date: 17/09/1977
- Run: 53-31-*18*-23-23-19-27-41-46-49-58 (11 wks)
TONIC FOR THE TROOPS
- Date: 08/07/1978 -
- Run: 21- *8*-10-8-12-16-17-24-24-30-34-38-42-0-40-43-24-16-13-14-12- 9-10-12-13-13- 11-17-13-22-21-33-44-37-41-59-68-0-71
- (37 weeks)
- Re-entry: 18/08/1979
- Run: 70-57-47-54-56-70-0-70 (7 wks)
- Total # of weeks: 44 (Top 10: 5, Top 20: 18 Top 40: 30)
THE FINE ART OF SURFACING
- Date: 03/11/1979
- Run: *7*-9-14-22-28-27-28-32-32-35-30-28-35-34-28-22-26-24-30-38-50-70-62-66-68-66
- (26 wks)
MONDO BONGO
- Date: 24/01/1981 -
- Run: 9-11- *6*-11-31-58-74 (7/2-1c wks) US:#116/8
V DEEP
- Date: 03/04/1982 -
- Run: 65-66-70-*63*-95 (5 wks)
LOUDMOUTH - THE BEST OF
- Date: 09/07/1994 -
- Run: *10*-21-42 (3/1 wks)
BEST OF
- Date: 08-05-2004
- Run *44*-59
- (2 wks)
- Re-entry: 19-02-2005
- Run 46
- (1 wk)
US ALBUMS
TONIC FOR THE TROOPS
- Date: 03/03/1979 -
- Run: 128-118-116-120-116-115-113-*112*-122-129-135-155-156
- (13 wks)
- Date: 01/12/1979 -
- Run: 132-124-113-113-113-108-130-126-124-130-110-*103*-103-104-162-177
- (16 wks)
- Date: 21/02/1981
- Run: 168-152-137-126-*116*-116-141-181
- (8 wks)
- Date: 25/05/1985 -
- Run: 194-189-189-*188*
- (4 wks)
Sunday, February 13, 2005
Geldof on Parkinson - ITV
Great Interview! Full transcript here.... http://www.bobgeldof.info/Articles/parkinson.html
Rat Trap was very good! Far better than Brits. More rock 'n' roll (no orchestra).
Diamond smiles was abridged (the Barbara Cartland & the low voltage noise verses were not there, but seemed a better song without the over fussy keyboards and a shortened wind up.
But how can a man with four daughters get away with hair like that? I only have a mum, sisters, a wife and a 7-month old daughter and they won't accept me having the odd grey hair! (to be fair, my daughter just wants to pull all my hair out!)
Rat Trap was very good! Far better than Brits. More rock 'n' roll (no orchestra).
Diamond smiles was abridged (the Barbara Cartland & the low voltage noise verses were not there, but seemed a better song without the over fussy keyboards and a shortened wind up.
But how can a man with four daughters get away with hair like that? I only have a mum, sisters, a wife and a 7-month old daughter and they won't accept me having the odd grey hair! (to be fair, my daughter just wants to pull all my hair out!)
Monday, February 07, 2005
On Film 1976-1986 - Someone's Looking At You DVD
1. Looking After No.1
2. She's So Modern
3. Like Clockwork
4. Rat Trap
5. I Don't Like Mondays
6. Diamond Smiles
7. Someone's Looking At You
8. Banana Republic
9. The Elephant's Garveyard
10. Never In A Million Years
11. House On Fire
12. Dave
13. Tonight
14. Drag Me Down
15. A Hold Of Me
One Night Like This - Live from the Hammersmith Apollo:
1. Intro
2. The Elephant's Graveyard
3. Charmed Lives
4. Lucky
5. Neon Heart
6. Someone's Looking At You
7. Dave
8. A Hold Of Me
9. I Don't Like Mondays
10. Talk In Code
11. Rat Trap
12. Drag Me Down
13. Looking After No.1
14. Credits
The Music Machine - 1977
Looking After No.1 - 1977
Mary Of The 4th Form - TOTP 1977
News Flash - 1980
Arnold Layne - 6.55 Special 1982
Do They Know Its Xmas - The Tube 1985
Keep It Up - Live
Like Clockwork - Live
Joey's On The Street Again - Self Aid 1986
Dwnload-only Single - Rat Trap: Live At The Dominion Theatre 1985
The Boomtown Rats embrace the digital age with their debut download-only single.
Available at all good download stores near you!
iTunes and http://www.hmvdigital.com/
Available at all good download stores near you!
iTunes and http://www.hmvdigital.com/
Fingers Speaks!
http://www.metro.co.uk/metro/interviews/interview.html?in_page_id=8&in _interview_id=1016
Johnny Fingers
by James Ellis, February 7th, 2005
Famous for wearing his pyjamas on stage, Johnnie Fingers was keyboard player in Irish rock band, The Boomtown Rats. Formed in 1975 the Rats - whose lead singer was Sir Bob Geldof - were together for a decade. After they disbanded Fingers moved to Japan where he works as a DJ and A&R for a dance label. All six Rats albums are re-released on Monday.
Does listening to old Boomtown Rats albums bring back good or bad memories?
I haven't heard any of them for years. I have no idea, but a friend of mine who works for Universal sent me a DVD of Live Aid. It was quite fun, actually. I was surprised. It sounded quite good.
Despite your commercial success, the Rats seemed to be critically underrated. Would you agree with that analysis?
Never thought about it. Didn't care. I think, as a live band, we were the best that was around because we had a lot more experience than the new age punk bands. Most of them had only played three or four gigs - ten at the max. But we'd actually played for about a year and a half before, or something like 150 gigs, and so we were very full on.
You were incredibly tight for a band at that time and very good at playing your instruments.
Yeah. Because we were very energetic, people used to say: 'Take a load of speed and go see the Rats.' I remember our sound guy saying: 'A lot of people at the back are on speed.'
What was the drug de jour for the band at the time?
We used to smoke dope, like everyone else. I wasn't a drinker really.
So you guys were really laid back at the front while they were all speeding at the back?
We thought we were laid back.
What was your best memory of life in the band?
I have loads of different memories. The most obvious are of myself and Bob touring America together, doing promotional trips. The rest is a blur - touring, playing live, recording. We had a funny, strange lifestyle - doing a 30-day promotional trip across the States or two weeks across Europe.
Why was it just you and Bob doing those promotional trips across America? Did the rest of the band not fancy coming along?
Because Bob is very good at interviews, and I was the visual look of the band, it was the obvious thing to do. You can't bring the whole band out on a promotional trip.
Some of the themes - the loneliness of being in a big city as described in Rat Trap - may have been similar to the London punk themes.
Maybe lyrically, yes, but musically, no. It was quite different.
You were famous for wearing your pyjamas. How did that visual look come about? It came about because I wanted to be recognised more than anything and a band that was very visual had the same kind of kink like Boy George had when he appeared on the scene.
Did you ever feel left out of the London scene when you first moved over from Ireland?
We weren't part of the London scene at all. We came over when the punk thing had just hit big and we were in this kind of hippy house in Surrey. It was owned by Virgin Records, although we didn't sign with them. Henry VIII had built it for his mistresses and it was a strange place. Living there we felt quite separate from the rest of London. The first band we went on tour with was the Ramones, who didn't feel part of the London scene either. In fact they quite hated it.
Whose idea was it to rip up the poster of Olivia Newton-John and John Travolta on Top Of The Pops?
Mine. I think I put a hanger on my head on the next programme and people used to come to the gigs with hangers on their heads thinking that was quite relevant and important.
Do you still see any other members of the band?
When I go over for business in London I will probably go and see Gerry [Cott, Rats guitarist].
Is Bob the saint he's made out to be?
Certainly not. I don't think anyone believes that for a minute.
What do you think about him getting a Lifetime Achievement Award at the Brits this year?
Good for him.
How much money would they have to throw at the Rats to get them back on tour again?
It wouldn't be to do with money really. It sounds like a cliché but it's to do with whether we'd all like to play together again. It would have to be the right moment and everyone would feel right about it.
Could you see it happening at all or is it a definite no-no?
I don't think it's a definite no-no.
Would you get the pyjamas back out if you did do the tour?
That's where the money would come in. I often think when I see bands like The Beach Boys and they don't wear those stripy shirts that I feel ripped off.
Thursday, February 03, 2005
Geldof gets his Brit!
Geldof collected his Outstanding Contribution to Music award tonight. Sadly, his performance was a little wanting. It was like a cabaret act with all the strings and horns. And he wore a suit! Came across as a pretty cool guy though. Pete Briquette played and was thanked between songs. Really good to do that.
I heard Rat Trap in HMV the other day and it sounded great, but at the Brits it wasn't. Mondays sounded dull and lifeless as well. The audience looked underwhelmed as well, given the sparkling performances from Franz Fredinand, Scissors Sisters and Green Day earlier on. OK, I don't expect Geldof to be like he was 25 years ago, but the songs lacked any sense of excitement. Geldof looked a bit bored by them. If I were say 16 and never heard of the Boomtown Rats, the performances wouldn't have made me want to find out much more about them.
He got quarter of an hour and two songs (no one else got that time). Jools Holland gave him the award, and lots of oldies praised him (Bono, Sting, Annie Lennox, Pete T, Elton...). Even his acceptance of the award was unusually modest!
Not the first Brit for Geldof either, he picked up a special award in 1985 along with Midge Ure for teh Band Aid single.
Past winners
2004 Duran Duran
2003 Tom Jones
2002 Sting
2001 U2
2000 Spice Girls
1999 Eurythmics
1998 Fleetwood Mac
1997 Bee Gees
1996 David Bowie
1995 Elton John
1994 Van Morrison
1993 Rod Stewart
1992 Freddie Mercury
1991 Status Quo
1990 Queen
1989 Cliff Richard
1988 The Who
1987 Eric Clapton
1986 Wham & Elton John
1985 The Police
1984 George Martin
1983 The Beatles
1982 John Lennon
1977 L.G. Wood/The Beatles (Joint )
I heard Rat Trap in HMV the other day and it sounded great, but at the Brits it wasn't. Mondays sounded dull and lifeless as well. The audience looked underwhelmed as well, given the sparkling performances from Franz Fredinand, Scissors Sisters and Green Day earlier on. OK, I don't expect Geldof to be like he was 25 years ago, but the songs lacked any sense of excitement. Geldof looked a bit bored by them. If I were say 16 and never heard of the Boomtown Rats, the performances wouldn't have made me want to find out much more about them.
He got quarter of an hour and two songs (no one else got that time). Jools Holland gave him the award, and lots of oldies praised him (Bono, Sting, Annie Lennox, Pete T, Elton...). Even his acceptance of the award was unusually modest!
Not the first Brit for Geldof either, he picked up a special award in 1985 along with Midge Ure for teh Band Aid single.
Past winners
2004 Duran Duran
2003 Tom Jones
2002 Sting
2001 U2
2000 Spice Girls
1999 Eurythmics
1998 Fleetwood Mac
1997 Bee Gees
1996 David Bowie
1995 Elton John
1994 Van Morrison
1993 Rod Stewart
1992 Freddie Mercury
1991 Status Quo
1990 Queen
1989 Cliff Richard
1988 The Who
1987 Eric Clapton
1986 Wham & Elton John
1985 The Police
1984 George Martin
1983 The Beatles
1982 John Lennon
1977 L.G. Wood/The Beatles (Joint )
Monday, October 25, 2004
John Peel Radio Sessions
Gerry Cott - UK - Thursday, 28th October 2004
When we started the Boomtown Rats, John, as he did with lots of other bands before and since, gave us a helping hand. It's still hard to believe he's gone. I loved listening to him on the radio. I will miss him very much.
Recorded - 26th July 1977
Transmission - 3rd August 1977
Producer - Jeff Griffin
Engineer - Mike Robinson
Studio - Maida Vale 4
TRACKLIST
LINE UP
Simon Crowe (Drums, Backing Vocals)
Bob Geldof (Lead Vocals)
Johnny Fingers (Keyboards, Backing Vocals)
Garry Roberts (Guitar, Backing Vocals)
Gerry Cott (Guitar)
Pete Briquette (Bass)
Neil Burn (Backing Vocals (Track 4 Only))
When we started the Boomtown Rats, John, as he did with lots of other bands before and since, gave us a helping hand. It's still hard to believe he's gone. I loved listening to him on the radio. I will miss him very much.
Recorded - 26th July 1977
Transmission - 3rd August 1977
Producer - Jeff Griffin
Engineer - Mike Robinson
Studio - Maida Vale 4
TRACKLIST
- Joey's on the Street Again
- Mary of the Fourth Form
- Looking After Number One
- Neon Heart
LINE UP
Simon Crowe (Drums, Backing Vocals)
Bob Geldof (Lead Vocals)
Johnny Fingers (Keyboards, Backing Vocals)
Garry Roberts (Guitar, Backing Vocals)
Gerry Cott (Guitar)
Pete Briquette (Bass)
- This session has been released on CD. The first three tracks were b-sides on the Geldof single Crazy, and Neon Heart appeared on the recent re-issue of A Tonic for the Troops
Recorded - 15th May 1978
Transmission - 26th May 1978
Producer - Tony Wilson
Engineer - Neil Burn
Studio - Maida Vale 5
TRACKLIST
- Like Clockwork
- Me And Howard Hughes
- Living In An Island
- (Watch Out For) The Normal People
LINE UP
Simon Crowe (Drums, Backing Vocals)
Bob Geldof (Lead Vocals)
Johnny Fingers (Keyboards, Backing Vocals)
Garry Roberts (Guitar, Backing Vocals)
Gerry Cott (Guitar)
Pete Briquette (Bass)
Neil Burn (Backing Vocals (Track 4 Only))
- Broadcast on BBC Radio 6 Monday 23 January 2006 in three parts. Living in an Island also contained a blast of DUN LOAGHAIRE on the fade out.
Monday, April 05, 2004
46664
CDs
46664: The Mandela Concerts Part 1 - African Prayer
Label: Warners
ASIN: B0001MXPHW
2. Bob Geldof - Speech
3. Bob Geldof - Redemption Song
46664: The Mandela Concerts Part 3 - Amandla
Label: Warners
ASIN: B0001MXPIG
7. Bob Geldof - The Great Song Of Indifference
8. Bob Geldof - (What So Funny ‘bout) Peace, Love and Understanding
DVD
46664 - Nelson Mandela Concert [2003]
Classification: Exempt
Studio: Warner Music Vision
Run Time: 377 minutes
DVD Features:
Main Language: English
Available Audio Tracks: Dolby Digital 5.1 Surround, Dolby Digital 2.0 Stereo
Sub Titles: Dutch, English, French, German, Italian, Portuguese, Spanish
Disc Format: DVD 9
Jukebox 5 Track Selection Feature
Behind The Scenes Documentary
Press Conference
Artist Interviews
Photo Gallery Slideshow
Freedoms Coming Track
A Minute For Aids 12 Short Films
ASIN: B0001DI51M
Book
46664 The Concert (Hardcover)
Language English
ISBN-10: 0316730173
ISBN-13: 978-0316730174
http://46664.tiscali.com/
Monday, October 20, 2003
The Best of the Boomtown Rats
The Ultimate Rats Compilation!
- UK Highest Chart Position: 44
- Total number of weeks on chart : 3
- Entry (Umtv 9819145): 8th May 2004
- Run: 44-59 (2 wks)
- Re-entry (Mercury 9870227): 19th February 2005
- Run: 46 (1 wk)
Mercury 9870227 / Umtv 9819145 / Eagle EAGCD202
1. She's So Modern
2. Mary Of The 4th Form
3. Rat Trap
4. Lookin' After No. 1
5. When The Night Comes
6. Someone's Looking At You
7. Joey's On The Streets Again
8. Banana Republic
9. Dave
10. I Don't Like Mondays
11. Like Clockwork
12. (I Never Loved) Eva Braun
13. Neon Heart
14. Never In A Million Years
15. Diamond Smiles
16. Drag Me Down
17. I Can Make It If You Can
18. The Elephants Graveyard
19. Fall Down
After twenty years in the making, The Boomtown Rats finally got the retrospective they deserved.
The two most familiar tracks are Rat Trap and I Don't Like Mondays, from the Boomtown Rats heyday in 1978-1979. The two number one singles that were sandwiched between the Grease phenomenon and the advent of the Police. For a short period, The Boomtown Rats, and in particular, Geldof and Paula Yates, were foremost in the nation's consciousness.
Before this thought, the Rats made some great songs including Joey's on the Street Again, Looking after Number One, Mary of the Fourth Form, She's So Modern and Like Clockwork; these tracks gave the Rats their early chart success. Neon Heart, I Never Loved Eva Braun, and I Can Make It If You Can also come from that prolific period. It is worth noting the version of I Can Make It If You Can on this CD is a live version rather than the studio version from their eponymous debut album.
Post I Don't like Mondays, the band started to lose affection from the public mainly, but unfairly, due to Geldof's celebrity. Diamond Smiles was released to indifference (it is possibly the weakest track on this collection), but there were further top five hits with the marvellous Someone's Looking at You and Banana Republic (Geldof's description of Ireland pre Celtic Tiger), before the Rats chart success went on the wane.
The melancholic Fall Down would make this CD worth the purchase price on its own had it not being abridged and sumptuous woodwind solo removed (Fortunately, the full version was latterly on the re-released Mondo Bongo) .
Nevertheless, the Rats continued to plug away and make some great music, including the fantastic House on Fire, one of their greatest moments, which is omitted from this collection.
In their last days, the Rats showed an impressive return to form with a great triumvirate of singles including Dave, a masterpiece that deserved a bigger audience.
Like any retrospective, it lacks some of the better album tracks (Howard Hughes, Kicks, Go Man Go), at the expense of some weak singles (Diamond Smiles, Never In a Million Years and Elephant's Graveyard), but that does not detract from the overall quality of this release.
All the tracks bar the live version of I Can Make It If You Can are on available on the remastered albums. It is probably only essential for less commited admirers who wouldn't consider obtaining all the remastered albums or for newer fans who want to delve beyond I Don't Like Monday and Rat Trap. A fantastic retrospective of what was acknowledged at the time to be the best new wave band.
Tuesday, March 04, 2003
Geldof Solo - UK Single Discography
Essentially this is the UK single discography. Please note that this merely lists all the tracks on the various singles and doesn't delve into the the particular format (7"/12"/CD) the tracks appear on. Please email with any known omissions.
1986
BOB101
This Is The World Calling(Extended Version)/Talk Me Up/This Is The World Calling
BOB102
Love Like A Rocket/Pulled Apart By Horses/This Is The World Calling 7"/Truly, True Blue/Love Like A Rocket(Extended 12" Mix)
BOB103
I Cry Too/Let`s Go
1990
BOB(CD/X)104
The Great Song Of Indifference/Hotel 75/In The Pouring Rain
BOB(CD/X)105
Love Or Something/Out Of Order/Friends For Life/One Of The Girls/The Great Song Of Indifference (Barmitzvah Wedding & Party Mix)
BOB(CD/X)106
A Gospel Song/Vegetarians Of Love/The Warmest Fire
1992
BOB(CD/X)107
Room 19 (Sha La La La Lee)/Huge Birdless Silence/The Great Song Of Indifference/Swear For You
BOB(CD/X)108
My Hippy Angel (Edited Version)/My Hippy Angel(Full Length Version)/Maybe Heaven/Love Or Something
1993
VERTIGO 864 907-2
The Happy Club/The Great Song Of Indifference/This Is The World Calling/Roads of Germany (after BD)
1994
VERCX85 [Note : Tracks 2-4 are credited to The Boomtown Rats]
Crazy/Mary Of The 4th Form (Live)/Looking After Number 1 (Live)/Joey's On The Street(Live)
VERCD85
Crazy/Room 19 (Live)/The Beat Of The Night (Live)/Rat Trap (Live)
2003
EAGXS220
Pale White Girls(New Mood mix)/Pale White Girls(New Moodier mix)/Pale White Girls(Original album version)
Tuesday, April 13, 1999
Songbook - Loudmouth. The Best of Bob Geldof and the Boomtown Rats
One of two sheet music books of Rats songs. On the spine the title is given as Loudmoth(sic).
- I Don't Like Mondays
- This is the World Calling
- Rat Trap
- The Great Song of Indifference
- Love Or Something
- Banana Republic
- Crazy
- The Elephant's Graveyard
- Someone's Looking at You
- She's So Modern
- House On Fire
- The Beat of the Night
- Diamond Smiles
- Like Clockwork
- Room 19 (Sha La La La Lee)
- Mary of the Fourth Form
- Looking After Number One
The songs listed correspond directly to the UK release, and there is the odd picture within the book.
Have a look at the book here! Use CTRL-Print Screen to get the pages off. And you too can play Banana Republic.
http://my.linkbaton.com/get?lbCC=q&nC=q&genre=book&item=0825614295
Publisher: Music Sales Corporation (April, 1999)
Language: English
ISBN: 0825614295
Monday, November 25, 1996
Rat Trap makes number one in Ireland with Dustin the Turkey!
Rat Trap topped the Irish Charts on this day. Oddly enough, it failed to do so back in 1978 with the Rats but this frivolus version did! Dustin the Turkey sings with Bob Geldof, and makes fun of Geldof throughout.
Also Geldof collaborated with Dustin on a version of Walk This Way which appears on Dustin's Unplucked
More on Dustin if you can bear it.
Also Geldof collaborated with Dustin on a version of Walk This Way which appears on Dustin's Unplucked
More on Dustin if you can bear it.
Saturday, July 09, 1994
Loudmouth - The Best of The Boomtown Rats & Bob Geldof
UK Highest Chart Position: 10
Total number of weeks on chart : 3
Entry: 9th July 1994
Run: 10-21-42 (3 wks)
Vertigo 522 283-2
Total number of weeks on chart : 3
Entry: 9th July 1994
Run: 10-21-42 (3 wks)
Vertigo 522 283-2
- I Don't Like Mondays - Boomtown Rats
- This Is The World Calling - Bob Geldof
- Rat Trap - Boomtown Rats
- The Great Song Of Indifference - Bob Geldof
- Love Or Something - Bob Geldof
- Banana Republic - Boomtown Rats
- Crazy - Bob Geldof
- Elephant's Graveyard - Boomtown Rats
- Someone's Looking At You - Boomtown Rats
- She's So Modern - Boomtown Rats
- House On Fire - Boomtown Rats
- The Beat Of The Night - Bob Geldof
- Diamond Smiles - Boomtown Rats
- Like Clockwork - Boomtown Rats
- Room 19 (Sha La La La Lee) - Bob Geldof
- Mary Of The 4th Form - Boomtown Rats
- Looking After No 1 - Boomtown Rats
The original greatest hits collection which is spoiled somewhat by Geldof's inferior solo material, The Great Song of Indifference excepted, and the total neglect of In The Long Grass. Still you can always program your CD player or just exclude them from your iPod.
The original release was subtitled The Best of The Boomtown Rats & Bob Geldof, whereas a later version (18th March 1996) was subtitled The Best of Bob Geldof & The Boomtown Rats with a new cover with just Geldof on. A strange emphasis, given that the Geldof solo tracks take up just a third of the album.
Probably more of a curiousity than an essential purchase given the release of the superior Best of the Boomtown Rats . All the Boomtown Rats tacks here are also present there, bar the excellent House On Fire. There is no review of this album as all the individual tracks are covered in the album reviews.
Listen to excerpts here http://www.hmv.co.uk/hmvweb/displayProductDetails.do?ctx=280;-1;-1;-1&sku=597849
This album has been released in a variety of guises, and was re-titled as Great Songs of Indifference - The Best of Bob Geldof & The Boomtown Rats in other countries.
The most notable of these are -
Canada - Vertigo 314 522 822 2 - Great Songs of Indifference - The Best of Bob Geldof & The Boomtown Rats
Never In a Million Years, Up All Night and Rain replace Love Or Something, House On Fire and The Beat Of The Night. This is also the only known appearance of Rain on CD.
US - CK 64999 Columbia/Legacy - Great Songs of Indifference - The Best of Bob Geldof & The Boomtown Rats - April 22 1977
Crazy is excluded from this US release, otherwise the track listing is as the UK version.
There is also an unconfirmed accompanying video release. I have never seen this on sale anywhere, so I can't confirm the track listing or any details. Please email with details if you have a copy.
http://www.amazon.co.uk/exec/obidos/ASIN/B00004S0J9/026-0303171-8537248
Thursday, October 25, 1990
Boomtown Rats - Greatest Hits
Columbia 40615Track Listings
1. I Don't Like Mondays
2. Rat Trap
3. She's So Modern
4. Banana Republic
5. Skin on Skin
6. Up All Night
7. Joey's on the Street Again
8. Elephant's Graveyard
9. House on Fire
10. Never in a Million Years
Interestingly enough, this was the first ever Rats compilation. Released in the US in 1987 (and on CD in 1990), it gathers together ten songs, of which only three or four could truly be considered to be hits, never mind greatest hits. It is skewed towards the latter years, six of the tracks coming from the weaker albums Mondo Bongo/V Deep, with only four from the preceding albums.
Avoid, unless you really have to have everything!
Wednesday, June 10, 1987
Gung~Ho
Simon Crowe and Johnny Fingers formed Gung~Ho featuring Simon on lead vocals in 1987.
They released a single, Play To Win, which was pretty good though it failed to have any impact on the charts.
They released a single, Play To Win, which was pretty good though it failed to have any impact on the charts.
And followed it up with Remember, which was less than memorable! (couldn't resist)
An album called 10 was d recorded and ready for release, but Magnet, their record company, went bust and the album disappeared bar a few demos that made their way into collector's hands (not mine, I hasten to add).
However, many years later the album appeared on mp3.com with extra tracks on a CD with both the audio and the mp3 version of the album. Frankly, they should have stopped with the Play To Win single. The abum was very insipid and maybe it was a good thing Magnet went bust.Obviously for Boomtown Rats completists, this was a very important release, but for me it would rank even lower than Deep in the Heart of Nowhere in the post-Rats repertoire that I have heard.
It was a collection of unmemorable songs with very simplistic arrangements.
It's more or less impossible to get hold of this these days, Gung~Ho having disappeared from mp3.com.
Simon and I had a lot of good times making this album. It was fun. The song writing came effortlessly. It was a great relief not to have to rehearse songs at a band practice, which can be brain damage at the best of times. Also, Yoko had never been in a studio and so she created a lot of extra energy. Bob Clearmountain called and said he loved the songs and could mix some tracks between Bruce Springstein's album and David Bowie's new record. This made Simon and myself feel a little embarrassed, as we had decided to produce the album ourselves and being scheduled between two musical icons didn't boost our egos but worked in reverse, making us feel a little shy and nervous.We hopped around various cheap studios in London. We were mobile, just the three of us. Yoko seemed to always find a cheap Japanese restaurant nearby. By the time we started mixing the album at The Right Track Studios in New York with Bob Clearmountain, we were very proud of the album. Clearmountain fortified this confidence, I must add. Chuck New mixed the remaining tracts at Battery Studios.A week later , we went to Thailand to do " THE VIDEO" , convincing the director it was the only place in the world where the lighting was right. Mind you it didn't take him long to agree. About one millisecond...... I think.
Kind regards,
Johnnie
Saturday, May 17, 1986
The Last Live Performance
The last time the Boomtown Rats played live was at Self Aid at the RDS Showgrounds, Simmonscourt, Dublin, Ireland on May 17th 1986.
Set List
- Someone's Looking At You
- Joey's On The Street Again
- Looking After #1
This was broadcast on RTÉ Television, and on the Best of DVD, you can see the Rats perfoming Joey's On The Street Again with a verse or two of an old union-organizing song, "I Don't Want Your Millions Mister" thrown in for good measure.
The concert itself was followed by the release of Live for Ireland. Both Joey's On The Street Again and Looking After #1 appear on this, however there are a myriad of formats
MCA MCA-42113 1988 LP has Joey's On The Street Again
http://www.music.com/release/live_for_ireland/1/ - For an audio clip of Joey's on the Street
MCD06027 / DMCG6027 / WMCG6027 has Looking After No. 1
There is also a bootleg with the whole set on!
Ireland & Dubliners(bootleg vinyl LP) Bandito Records - B005
http://www.harbour.sfu.ca/~hayward/van/discography/v_dubliners.html
Saturday, July 13, 1985
'The Day Rock and Roll Changed the World'
http://www.bbc.co.uk/music/thelive8event/liveaid/history.shtml
The Boomtown Rats were the third band to appear after Status Quo and The Style Council. Apparently they were due to appear further down the bill, but Geldof switched the order so they could perform to Prince Charles & Princess Diana! They played I Don't Like Mondays, Rat Trap (which was plauged by sound issues) and Drag Me Down. Geldof provided one of the most memorable moments of the whole day with his pause midway through Mondays on the completion of the line "The lesson today is how to die".
Artists who performed at Wembley (in order of appearance):
Status Quo
Style Council
Boomtown Rats
Adam Ant
Ultravox
Spandau Ballet
Elvis Costello
Nik Kershaw
Sade
Sting
Phil Collins (also with Sting)
Howard Jones
Bryan Ferry
Paul Young (also with Alison Moyet)
U2
Dire Straits (also with Sting)
Queen
David Bowie
The Who
Elton John (also with Kiki Dee and Wham)
Freddie Mercury with Brian May
Paul McCartney
The Boomtown Rats were the third band to appear after Status Quo and The Style Council. Apparently they were due to appear further down the bill, but Geldof switched the order so they could perform to Prince Charles & Princess Diana! They played I Don't Like Mondays, Rat Trap (which was plauged by sound issues) and Drag Me Down. Geldof provided one of the most memorable moments of the whole day with his pause midway through Mondays on the completion of the line "The lesson today is how to die".
Artists who performed at Wembley (in order of appearance):
Status Quo
Style Council
Boomtown Rats
Adam Ant
Ultravox
Spandau Ballet
Elvis Costello
Nik Kershaw
Sade
Sting
Phil Collins (also with Sting)
Howard Jones
Bryan Ferry
Paul Young (also with Alison Moyet)
U2
Dire Straits (also with Sting)
Queen
David Bowie
The Who
Elton John (also with Kiki Dee and Wham)
Freddie Mercury with Brian May
Paul McCartney
Friday, June 21, 1985
Rats at Glastonbury CND Festival
The Boomtown Rats played the Glastonbury Festival along with Aswad,Clannad, The Colour Field, Ian Dury, King, The Pogues, Midnight Oil, Thompson Twins, Misty In Roots and Maria Muldaur. The Boomtown Rats were pelted with mud by an unappreciative audience! Worthy farm was considered too small to accommodate the Festival so the neighbouring Cockmill farm land was purchased to enlarge the site by a further 100 acres. The sheer size of the newly enlarged site meant that communications were stretched to the limit - the ultimate test for any organisation. With tractors the only possible means of towing people off the site in seriously bad weather. Michael Eavis was pleased that, “we have had the mud bath and proved we can still cope with the conditions”. £100,000 was raised for CND and local charities. Attendance: 40,000.Tickets: £16. Programme: 90p.
http://www.glastonburyfestivals.co.uk/aboutus/index.asp?id=38
3 day tickets for just £16!!
Set List included
- Charmed Lives
- Neon Heart
- Wind Chill Factor
- Dave
- I Don't Like Mondays
- Talking In Code #
- Hurt Hurts
- Rat Trap
- Drag Me Down
- Looking After Number 1
Just a comment / observation. I was at Glastonbury in 1985 (in the mud!) when the Boomtown Rats played. (Saturday afternoon, I think!) - the second time I'd seen them, the first being at the White Rock, Hastings, about 1982. Glastonbury was one month before Live Aid and they performed 'Mondays' JUST like they did at Wembley - the big pause. That pause blew my socks off then, without the power of the message that came across at Live Aid. I've often said that Bob was rehearsing it when he did it at Glastonbury; we'll never know, but it was a blinding song when I was 14 at school - and still makes my hairs stand on end now!- Gary, Saffron Walden, England
http://www.songfacts.com/detail.php?id=698
A BBC Transcription of this does exist. (I don't have it before you ask!)
Record Label:
BBC TS
Catalogue No:
CN4658/S
Country of Origin:
UK
Saturday, May 25, 1985
In The Long Grass
What's the story?
UK Highest Chart Position: n/a
US Highest Chart Position: 188
Total number of weeks on chart : 4
Entry: 25th May 1985
Run: 194-189-189-188
Just when you least expected it, The Boomtown Rats returned with another great album! With barely enough money to make the album, and following the less than wonderful Mondo Bongo and V Deep, In the Long Grass marked a return to form. Though not commercially successful, it spawned some great singles (none of them were hits), and was the most consistent album from the Rats since the Fine Art of Surfacing.
The first single off the album, Tonight has a reggae beat, some lower key vocals and a sassier attitude than would have been expected from the Rats. Not as overt as say Banana Republic or House on Fire, it promised a lot from the forthcoming album. Horns dominate the music, showing the Rats with just a single guitarist had other means of filling out their songs. Of course, no one bought it!
Drag Me Down was another great single. Geldof and Crowe exchange vocals in the introduction before a swirling keyboard kicks the song into life. Some great horns kick in at the end of the verses. One of the most driving songs from the Rats, with really good guitar work for Garry Roberts. The horns that play out at the end are similar to those on House on Fire.
Dave was one of the best singles the Rats ever made. It plays as a plea to a suicidal friend to reconsider, and implores him to keep going. That it never troubled the charts is purely down to low regard the Rats were held in by the press & public, and a shambolic re-release involving singles with embedded tickets! In America, they had to rewrite the lyrics, as the notion of a man singing about another man was deemed as faggy by the record company, and turned it into a song about Rain. Oh dear!
There are two tracks penned by Johnnie Fingers. A wistful sax and tinkling piano begin Another Sad Story, before the sax blasts in. A story about Johnnie and Susan, though not of the ilk of Geldof’s earlier Dublin trilogy, but much more generic. The middle eight is from Bowie’s Let’s Dance period, Geldof affecting his best Anthony Newley voice. The sax solos break up this song, and provide a link back to Joey and Billy of yesteryear.
Also from Fingers and starting off with a guitar from Atomic.Lucky has Geldof telling you how lucky you are if time remembers you. The song namechecks JFK, and tells you what went wrong for him! This isn’t an Eva Braun, as the song is more personal than that addressed directly to the listener. The ‘work’ chants remind you of Chain Gang, and the song finishes with some dubbed horns.
Aaaaah, not Chic’s Good Times, but The Rats’ Hard Times! There are some yeah yeahs from the Beatles in there, and a simple little Depeche Mode little keyboard (think Just Can’t Get Enough, not Personal Jesus!). The songs builds and builds and then bursts into life with Geldof singing over some female oriental backing vocals (Molly & Polly!). Hard Times sound good with The Boomtown Rats!
Pete Briquette and Simon Crowe contribute the wonderful Up and Down. The Chic guitar is there, and the vocals are urgent, and it even gets ska-like at points, probably more Police (Material World) than Specials but it’s certainly there. Twice it breaks into the glorious ‘lying in the sun’ with the horns blasting out. The song comes down when nothing seems to changes, but only to get on with some urgent ad-libbing.
There is a low key start to Over and Over with Geldof mumbling before it breaks into a joyous chorus with some great tenor harmonies. A lovely flamenco interlude reminds you of Zorro! A shimmering low key fade outs the song. Another gem!
With its Latin intro, Icicle in the Sun starts off as if it dares to take us back to Please Don’t Go from Mondo Bongo. It turns out to be a far more pleasant experience. Possibly the most eighties sounding track on here with its funky guitars and keyboards interjecting throughout. At one point, the song threatens to break into a good old pub sing song, but keeps on track.
But the last word on this album is A Hold of Me. The song fades in gently and builds to Geldof cutting in with "What’s the Story?…" The song builds and builds with a series of questions, layering the sound until the chorus arrives and then the song dips again. In many ways this is the song that Never in the Million Years should have been. As Geldof implores "I’m for people, I’m for life!" it’s the perfect bookend to the Rats’ singles career. This song marks the arrival of selfless crusader who has long left his selfish youth behind.
Garry Roberts now had a guitar sound for the band, and the songs were all well written, performed and produced. More ideas than narrative in the songs, but there isn’t a bad track to be found. This was the realisation of the experimentation of Mondo Bongo and V Deep. The sound was less produced but no worse for that, and this was a more mature album than any that had gone before.
Sadly, this album was also the last The Boomtown Rats recorded. A great swan song, but lack of commercial success and the aftermath of Band Aid and Live Aid, led to Geldof striking out as a solo artist.
CD Review
The single version of Dave is the original album version! I’m pretty sure it is, as it sounds the same as my vinyl version. The album version is the version from the Best of. Add in Rain,which is not here, and there are a few versions of this track knocking around. However, for all that, the single version is the best! The album version is a more drawn out affair and doesn’t flow as well as the single version. Both versions here are well worth listening to, whereas you’d not miss anything by never hearing Rain!
Walking Downtown returns to the jazz-by-numbers of The Little Death, and is little better. Part Mood Mambo, part jazz, there is the gnawing feeling that this was another attempt at something that was beyond the Rats. The piano in the song puts me in mind of Singing in the Rain! I have never really liked jazz anyway, and this song is of little appeal. P
recious Time is a track that would have been a great addition to In the Long Grass. Doo do dos courtesy of the Rolling Stones and a Pete Briquette bass line get the song going along with Chic-like guitars are also there. On the two middle eights, Geldof drifts into a Bowie tribute again, aping China girl. The instrumental gets funky, so much so it does sound like Nile Rodgers & Bernard Edwards had a hand in the production. The guitars that play out as from the Let’s Dance Bowie period as well.
There’s not a great deal to She's Not The Best (Home Demo). It sounds like an idea for a song with Geldof playing acoustic guitar and sounding like Bob Dylan. A nice curiosity, and more like something from Geldof’s recent past than a Rats song. Perhaps the seed of the solo career!
Just to complete the story, alternative versions of Drag Me Down and Lucky exist. Fortunately, they aren’t here. This is good news as they sound like Huey Lewis & the News! The production was changed for the US, but the originals which appear on this re-release are far superior.
UK Highest Chart Position: n/a
US Highest Chart Position: 188
Total number of weeks on chart : 4
Entry: 25th May 1985
Run: 194-189-189-188
- Dave
- Over And Over
- Drag Me Down
- A Hold Of Me
- Another Sad Story
- Tonight
- Hard Times
- Lucky
- An Icicle In The Sun
- Up Or Down
- Dave (Single Version)
- Walking Downtown
- Precious Time
- She's Not The Best
Just when you least expected it, The Boomtown Rats returned with another great album! With barely enough money to make the album, and following the less than wonderful Mondo Bongo and V Deep, In the Long Grass marked a return to form. Though not commercially successful, it spawned some great singles (none of them were hits), and was the most consistent album from the Rats since the Fine Art of Surfacing.
The first single off the album, Tonight has a reggae beat, some lower key vocals and a sassier attitude than would have been expected from the Rats. Not as overt as say Banana Republic or House on Fire, it promised a lot from the forthcoming album. Horns dominate the music, showing the Rats with just a single guitarist had other means of filling out their songs. Of course, no one bought it!
Drag Me Down was another great single. Geldof and Crowe exchange vocals in the introduction before a swirling keyboard kicks the song into life. Some great horns kick in at the end of the verses. One of the most driving songs from the Rats, with really good guitar work for Garry Roberts. The horns that play out at the end are similar to those on House on Fire.
Dave was one of the best singles the Rats ever made. It plays as a plea to a suicidal friend to reconsider, and implores him to keep going. That it never troubled the charts is purely down to low regard the Rats were held in by the press & public, and a shambolic re-release involving singles with embedded tickets! In America, they had to rewrite the lyrics, as the notion of a man singing about another man was deemed as faggy by the record company, and turned it into a song about Rain. Oh dear!
There are two tracks penned by Johnnie Fingers. A wistful sax and tinkling piano begin Another Sad Story, before the sax blasts in. A story about Johnnie and Susan, though not of the ilk of Geldof’s earlier Dublin trilogy, but much more generic. The middle eight is from Bowie’s Let’s Dance period, Geldof affecting his best Anthony Newley voice. The sax solos break up this song, and provide a link back to Joey and Billy of yesteryear.
Also from Fingers and starting off with a guitar from Atomic.Lucky has Geldof telling you how lucky you are if time remembers you. The song namechecks JFK, and tells you what went wrong for him! This isn’t an Eva Braun, as the song is more personal than that addressed directly to the listener. The ‘work’ chants remind you of Chain Gang, and the song finishes with some dubbed horns.
Aaaaah, not Chic’s Good Times, but The Rats’ Hard Times! There are some yeah yeahs from the Beatles in there, and a simple little Depeche Mode little keyboard (think Just Can’t Get Enough, not Personal Jesus!). The songs builds and builds and then bursts into life with Geldof singing over some female oriental backing vocals (Molly & Polly!). Hard Times sound good with The Boomtown Rats!
Pete Briquette and Simon Crowe contribute the wonderful Up and Down. The Chic guitar is there, and the vocals are urgent, and it even gets ska-like at points, probably more Police (Material World) than Specials but it’s certainly there. Twice it breaks into the glorious ‘lying in the sun’ with the horns blasting out. The song comes down when nothing seems to changes, but only to get on with some urgent ad-libbing.
There is a low key start to Over and Over with Geldof mumbling before it breaks into a joyous chorus with some great tenor harmonies. A lovely flamenco interlude reminds you of Zorro! A shimmering low key fade outs the song. Another gem!
With its Latin intro, Icicle in the Sun starts off as if it dares to take us back to Please Don’t Go from Mondo Bongo. It turns out to be a far more pleasant experience. Possibly the most eighties sounding track on here with its funky guitars and keyboards interjecting throughout. At one point, the song threatens to break into a good old pub sing song, but keeps on track.
But the last word on this album is A Hold of Me. The song fades in gently and builds to Geldof cutting in with "What’s the Story?…" The song builds and builds with a series of questions, layering the sound until the chorus arrives and then the song dips again. In many ways this is the song that Never in the Million Years should have been. As Geldof implores "I’m for people, I’m for life!" it’s the perfect bookend to the Rats’ singles career. This song marks the arrival of selfless crusader who has long left his selfish youth behind.
Garry Roberts now had a guitar sound for the band, and the songs were all well written, performed and produced. More ideas than narrative in the songs, but there isn’t a bad track to be found. This was the realisation of the experimentation of Mondo Bongo and V Deep. The sound was less produced but no worse for that, and this was a more mature album than any that had gone before.
Sadly, this album was also the last The Boomtown Rats recorded. A great swan song, but lack of commercial success and the aftermath of Band Aid and Live Aid, led to Geldof striking out as a solo artist.
CD Review
The single version of Dave is the original album version! I’m pretty sure it is, as it sounds the same as my vinyl version. The album version is the version from the Best of. Add in Rain,which is not here, and there are a few versions of this track knocking around. However, for all that, the single version is the best! The album version is a more drawn out affair and doesn’t flow as well as the single version. Both versions here are well worth listening to, whereas you’d not miss anything by never hearing Rain!
Walking Downtown returns to the jazz-by-numbers of The Little Death, and is little better. Part Mood Mambo, part jazz, there is the gnawing feeling that this was another attempt at something that was beyond the Rats. The piano in the song puts me in mind of Singing in the Rain! I have never really liked jazz anyway, and this song is of little appeal. P
recious Time is a track that would have been a great addition to In the Long Grass. Doo do dos courtesy of the Rolling Stones and a Pete Briquette bass line get the song going along with Chic-like guitars are also there. On the two middle eights, Geldof drifts into a Bowie tribute again, aping China girl. The instrumental gets funky, so much so it does sound like Nile Rodgers & Bernard Edwards had a hand in the production. The guitars that play out as from the Let’s Dance Bowie period as well.
There’s not a great deal to She's Not The Best (Home Demo). It sounds like an idea for a song with Geldof playing acoustic guitar and sounding like Bob Dylan. A nice curiosity, and more like something from Geldof’s recent past than a Rats song. Perhaps the seed of the solo career!
Just to complete the story, alternative versions of Drag Me Down and Lucky exist. Fortunately, they aren’t here. This is good news as they sound like Huey Lewis & the News! The production was changed for the US, but the originals which appear on this re-release are far superior.
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