Friday 30th April 2010 Pokey Hole, Netherseal near Derby.With special guest John Williamson (from Animals and Friends) and Mike Bowdens http://www.thepokeyhole.com
Saturday 12th June 2010 The Regent Centre, Christchurch. With special guest China Crisis http://www.regentcentre.co.uk
Wednesday 2nd December 2009 Cleethorps Beachcomber with local support Thursday 3rd December 2009 Homfirth Picture Dome with local support Friday 4th December 2009 DNE Club Wakefield with special guests China Crisis Saturday 5th December 2009 The Mick Jagger Centre, Dartford. with special guests Eddie and the Hot Rods Sunday 6th December 2009 Whithaven Civic Hall, with special guest, Dave Sharp from The Alarm Wednesday 9th December 2009 Key Street, Clitheroe. with special guest, Dave Sharp from The Alarm Tuesday 8th Thursday 10th December 2009 The New Tavern, Wigan, with special guest, Dave Sharp from The Alarm Thursday 10th December 2009 Rock City, Nottingham. with special guests China Crisis Friday 11th December 2009 Victoria Hotel, Largs Saturday 12th December 2009 The Roadhouse Birmingham, with special guest, Dave Sharp from The Alarm Sunday 13th December 2009 Ropetackle Centre. Shoreham with special guest, Dave Sharp from The Alarm Wednesday 16th December 2009 Norwich Waterfront as special guests of The Blockheads also featuring Dave Sharp from The Alarm Thursday 17th December 2009 Electric Ballroom, London as special guests of The Blockheads and Eddie and The Hot Rods Friday 18th December 2009TJ's Newport with local support Saturday 19th December 2009 The Lights. Andover with special guest, Dave Sharp from The Alarm Sunday 20th December 2009 Mr Kyps. Poole, with special guest, Dave Sharp from The Alarm Monday 21st December 2009 The Tunnels, Bristol as special guests of The Blockheads also featuringDave Sharp from The Alarm Tuesday 22nd December 2009 Oran Mor, Glasgow. Scotland. With Special Guests Eddie and The Hot Rods Wednesday 23rd December 2009 Move Music Venue, Galashiels. Scotland. With Special Guests Eddie and The Hot Rods Sham 69
Summer Tour 2008
Saturday 26th July2008- Pigs Nose Inn, East Prawl, Devon Monday 4th August 2008 - Key Street Music Bar, Clitheroe Wednesday 6th August 2008- The Robin, Bilston, Wolverhampton, WV14 7LJ Thursday 7th August 2008 (+ THE VIBRATORS) 100 Club, 100 Oxford Street, London W1 Friday 8th August 2008-Rebellion Festival, Empress Ballroom, The Winter Gardens, Church Street, Blackpool. On stage 10.20pm Saturday 9th August 2008-The M Club, Crewe. POSTPONED to Friday 23rd January Saturday 15th November 2008 Charter Hall, Market Street, Okehampton. with special guest Andy Watts from The Seahorses Wednesday 17th December 2008 Swansea Sin City with Eddie and The Hot Rods RESCHEDULED to 3rd February 2008
January 2009
Thursday 15th Key Street, Clitheroe TBC Friday 16th The Cluney Newcastle with special guest Andy Watts from The Seahorses Saturday 17th Theatre Royal Wakefield with special guest Blackheart Andy Watts from The Seahorses Wednesday 21st Leeds Irish Centrewith special guest Andy Watts from The Seahorses Thursday 22nd Corn Exchange, Bedford. with special guest Andy Watts from The Seahorses Friday 23rd M Club Crewe with special guest Andy Watts from The Seahorses Saturday 24th Corn Exchange, Newbury. with special guest Andy Watts from The Seahorses Sunday 25th Rock n Blues Festival, Skegness with Eddie and The Hot Rods, Dr Feelgood, Wilko Johnson,The Hamsters etc
Strictly speaking the year of the Rat ended on 25th January 2009
Monday 26th Exmouth Pavillion with special guest Andy Watts from The Seahorses Tuesday 27th The Musician, Leicester with special guest Andy Watts from The Seahorses Wednesday 28th The Arts Complex, Solihull with special guest Andy Watts from The Seahorses. Thursday 29th The Playhouse Alnwick with special guest Andy Watts from The Seahorses Friday 30th The Buccleuch Centre, Langholm, with special guest Andy Watts from The Seahorses Saturday 31st The Platform Morcambe with special guest Andy Watts from The Seahorses
February 2009
Sunday 1st Martletts Hall, Burgess Hill. with special guest Dave Sharp from The Alarm Tuesday 3rd Swansea Sin City with Eddie and The Hot Rods Wednesday 4th Huntingdon Hall Worcester with special guest Dave Sharp from The Alarm Thursday 5th The Castle Wellinborough with special guest Dave Sharp from The Alarm Tuesday 10th Baby Blue Club, The Albert Dock, Liverpool with special guest Dave Sharp from The Alarm Thursday 12th Ashcroft Theatre, Croydon with special guest Dave Sharp from The Alarm. Friday 13th The Brook Southampton with special guest Dave Sharp from The Alarm Saturday 14th The Playhouse, Harlow with special guest Dave Sharp from The Alarm Sunday 15th The Robin Bilston with special guest Dave Sharp from The Alarm
Friday 17th April 2009 SPIRIT OF 77 FESTIVAL West Coast Bar, King Street, Margate. £13.50 http://www.westcoastlive.co.uk/ Saturday 18th April 2009 Hailsham Pavilion with support Thursday 23rdApril 2009 Rothes Hall, Glenrothes. Fife. Scotland with support tba Friday 24thApril 2009 Motor Cycle News (MCN) Festival. Skegness Saturday 25thApril 2009 Didcot Arts Centre Monday 25th May 2009 Darwen Town Festival (Free Festival) Saturday 13th June 2009 South Shields Ampitheatre (Free Festival)
Wednesday 30th September 2009 Monte Carlo, Monaco Le Moods with special guests The Damned From The Jam Thursday 1st October 2009 Paris with special guests The Damned From The Jam
I just read about a demo tape from the Rats pre-record contract. Interesting that the only songs to ever make it to record were Neon Heart and Born to Burn. Menage A Trois did get an airing on BBC Radio 1 back in 1979, but there are few unknown Rats songs. It is also possible that these tracks changed names and are familiar. However, I don't have any idea on that.
I guess no one has this. Do they? You know it's Christmas soon? Should you have it or a copy, let me know. But don't expect me to pay for it, I've given out plenty of rare MP3s/videos so I'm due some payback!
You can get a flavour of the tape from the originals. Use Spotify to construct a playlist, unless you happen to have all the tracks. I bought Burnin' by the Wailers yesterday, so bar a couple of tracks I have most of them somewhere.
There are 22 tracks on the tape with seven Rats originals. Dave Moloney (of Vipers fame) plays drums on the first 10 tracks, Simon Crowe on the rest.
In general, I have gone for the version The Rats are most likely to have copied rather than the true original.
And he can see no reasons 'Cos there are no reasons What reason do you need to be shown?
Tell me why I don’t like Mondays I wanna shoot the whole day down
I Don't Like Mondays is the most famous Rats song vying with Do They Know It's Christmas? as Geldof's most well known composition. The story behind the song is pretty well known. On the morning of Monday 29th January 1979 in San Diego, a 16-year-old schoolgirl, Brenda Spencer, took the .22 calibre gun her father had given her as a Christmas present and aimed it at the school playground directly opposite her family home. She killed two men and injured eight children.
Her explanation for doing this was "I don't like Mondays, it livens up the day."
The silicon chip inside her head Gets switched to overload And nobody’s gonna go to school today She’s gonna make them stay at home And daddy doesn’t understand it He always said she was good as gold
Geldof claims he was doing an interview in Atlanta with Johnnie Fingers when the news story came through on the telex and started writing the song the same day. However when Mondays was performed for the first time in San Diego itself on 27th February 1979, he claimed to have read about the incident in the newspapers. The first rendition
This is a more likely, if less interesting, explanation.
The Telex machine is kept so clean And it types to a waiting world
The most famous rendition of the song was at Live Aid in 1985 when Geldof paused to dramatic effect on the snippet -
And the lesson today is how to die
Which was an apt statement for the day, albeit in the context of a song about a spree killer. Interestingly, this was the first school shooting of its kind, a phenomenon that culminated in the infamous Columbine tragedy.
The song entered the UK charts at number 15 and reached number one the following week and stayed there for four weeks. It didn't fare so well in the United States thanks to the song being more or less banned from the radio, and peaked at number 73.
It also represented the commercial peak of The Boomtown Rats, A Tonic for the Troops re-entered the UK album charts on the back of the success of I Don't Like Mondays. For a short period they were arguably the biggest band in the British Isles.
Cover of "Chicago/Change the world" by Crosby Stills and Nash sung by David Gimour, Chrissie Hynde and Bob Geldof in support of "Pentagon Hacker" Gary Mckinnon. http://en.wikipedia.org/wiki/Gary_Mckinnon
Dave McHale, 58, died in late May 2009 in Frankfurt after losing his battle with cancer.
Dave played on Mondo Bongo and V Deep and toured with the band in the early eighties. He was thought of as the unofficial seventh member of The Boomtown Rats. Dave played keyboards and saxophone and was a session musician of some repute.
The Midsummer’s Gig for Dave aimed to raise funds to erect a bench in his home town of Monkstown, County Dublin in his memory.
Garrick Roberts, Pete Briquette and Bob Geldof took part in a one-off musical tribute at Blackrock Rugby Club and sung Dave, from the In The Long Grass LP, the song that he wrote about his friend's plight .
Geldof was inspired to write 'Dave' after McHale's girlfriend died suddenly. "We had dropped Dave off in London after a tour," he explained. "He had a row with his girlfriend and she took off. Then he found her dead from a five-pound bag of heroin. I wrote this song the next day."
Geldof certainly seems to like it out there. His annual St. Patrick's date at the Dubai Irish Village takes place on Friday March 13th. Tickets available from www.itp.net/tickets
Entry Charges: Dhs100 Opening hours: Door open 7pm show stars 9pm
This is a great streaming service along with www.we7.com that will allow you to listen to a vast back catalogue of music including ALL the Boomtown Rats albums, among many others. Pretty much everything from Bob Dylan to Pulp (well except The Beatles). There are some advertisements but other than that it's all FREE!!!
Starting today people in the UK will no longer need an invitation to join Spotify, you can register for the free streaming service directly from the website.
Toni Weekes presents... Original Boomtown Rats Garry Roberts and Simon Crowe with Peter Barton and Darren Beale present The Rats In Concert Sat 14th February 2009 - 7.30pm Main Auditorium Featuring Special Guest Dave Sharp from The Alarm.
Some dates by Geldof in Norway. I had no idea he was so popular in Scandanavia!
9th December Lillestrøm Kultursenter http://www.rb.no/lokal_kultur/article3981992.ece (or maybe not according to the reviews/comments) 10th December Skien Ibsenhuset http://www.ta.no/pulsen/article3984562.ece (seemingly popular in Skien) 11th December Nøtterøy Kulturhus 13th December Tromsø Kulturhus - so far north, it is more or less in perpetual darkness in December! http://www.nordlys.no/kultur/article3991104.ece 14th December Oslo Gamle Logen AS http://tb.no/article/20081212/KULTUR/443990649/1011/NYHETER
A re-release on DVD of a Rats gig from 1985. Was previously available on VHS and also on the now deleted Someone's Looking DVD . I'd advise tracking that down rather than getting this, unless there are a host of previously unavailable extras.
Led by the inimitable Sir Bob Geldof (and totally overshadowed by his later charity work on the Band Aid and Live Aid projects), the Boomtown Rats were nevertheless an important and notable band who were a real force in the charts and active between 1975 and 1986. 5 of the band's Top 40 singles, including 2 Number 1's, are included in this rousing performance to a rammed crowd filmed at The Dominion Theatre, London in 1985.
Tracklist:
1. Elephant's Graveyard 2. Charmed Lives 3. Lucky 4. Neon Heart 5. Someone's Looking At You 6. Dave 7. Hold Of Me 8. I Don't Like Mondays 9. Talk In Code 10. Rat Trap 11. Drag Me Down 12. Looking After no 1
Garry Roberts and Simon Crowe were back, but this time they had two new recruits. Peter Barton and Darren Beale.
Peter Barton is a strong R'n'B vocalist who added depth to the vocals on a bunch of classic tracks. Barton even wore his pyjama bottoms lest anyone miss Fingers' sartorial style. He was aided and abetted by Darren Beale whose virtuoso guitar made up for the lack of horns, strings and keyboards. There was the majestic drumming of Simon Crowe holding it all together, and the authentic sound of Garry Roberts, providing the main riffs that made the Rats sounds from 1977 -1979.
The audience were treated to a run through of many of the Rats finest moment from the late seventies.
They played (Peter Barton on lead vocals except where stated) ....
Close As You'll Ever Be
Looking After Number One
Neon Heart
Mary of The Fourth Form
Joey's On The Street Again
Someone's Looking At You
I Can Make It If You Can
She Does It Right (Lead Vocals : Garry Roberts)
Like Clockwork
Riot in Cell Block #9 (Lead Vocals : Simon Crowe)
She's Gonna Do You In
All Through The City (Lead Vocals : Simon Crowe)
Rat Trap
She's So Modern
I Don't Like Mondays
Gerry Cott was also in attendance to watch his former band members going down a storm with the enthusiastic crowd.
It was brilliant! Go and see the Rats! Next stop Blackpool.
“We asked but Bob politely declined. He said he's doing his own thing now,” said Simon. “Bob's gone in a different musical direction and we're about taking it back to basics."
Simon wants to make sure I make it clear that it's just two of the original line-up reuniting — himself on drums and Garry Roberts on guitar. They're being joined by The Animals' Peter Barton on bass and Darren Beale on lead guitar.
“I wouldn't say 'just' two of us though,” said Simon. “We'll be playing the songs we used to play when we first started off in 1975 — all the early stuff that really defined the Rats, We're drawing the line after the second album.”
“Garry and I talked about it before but although we could have got a few pub gigs we didn't really have the contacts in the music business to make it work from a commercial sense,” said Simon.
Simon and Garry contacted the other Rats but they were all too busy.
“We thought we'd just carry on anyway,” said Simon. “The music comes naturally to me and Garry but the new guys have had to do a bit of homework. It's not been a problem though. They're such good musicians they've slipped into it.”
“We did a gig in Devon the other day and the place was hopping — it was absolutely electric. It was so long since it's happened like that I forgot the feeling.”
The band hope to record a new album in 2009 but they're not getting carried away.
“We're taking one step at a time,” said Simon. "We're just going to get out there and see what reaction we get. But the message is watch this space. We're back, we're in action and it could be Boomtime again.”
Hundreds were turned away and left outside the Pigs Nose Inn , East Prawl, Devon for the return of The Rats. A set comprising of early songs and Dr. Feelgood covers went down like a storm. A great night out for those who happened to be on vacation in that part of the world. The rest of us have a few opportunities to catch them in August and early next year.
But while the event is unashamedly based on Glastonbury, Fuji Rock is a totally different experience.
"It might be inspired by Glastonbury, but done in a Japanese way," says the festival's international organiser, Johnnie Fingers.
Fingers' real name is John Moylett, but he is better known to many as a founding member of The Boomtown Rats. He has been working in the Japanese music scene for 15 years, and has been part of the Fuji Rock team for six of them.
'Fuji experience'
"We call it the Fuji experience. It is like Glastonbury, but has been perfected in that Japanese way," he says.
"The biggest difference is that is so clean. Everybody cleans up their own mess.
"It is also so secure and safe. People leave things out without worrying about theft."
Fingers adds Fuji Rock - named after the mountain which played host to the first festival in 1997 - has set itself apart by keeping sponsorship to a minimum, concentrating on the festival's spectacular setting in a steep mountain valley.
"Japanese people are so used to being surrounded by advertising and sponsorship, so we have tried to make this feel like a weekend away in the countryside," he explains.
The festival attracts a mainly Japanese crowd, with about 90% of revellers being local.
A final question for Johnnie Fingers - has he persuaded any of his old Boomtown Rats bandmates to visit Fuji Rock yet?
He shakes his head: "Not yet. Bob Geldof was over here recently and we had dinner. It was the first time I'd seen him in 20 years - but he mainly wanted to talk about the G8."
Bobby the westie is hailed by critics as the real star of the capital's Wizard Of Oz show
Toto is played by Bobby, a West Highland terrier who has something of a showbusiness pedigree - he is the protege of former Boomtown Rats guitarist Gerry Cott.
Mr Cott, who founded the group with Bob Geldof but quit before their fifth album was released, has coached Bobby to perform tricks that leave audiences open-mouthed
Mr Cott, 55, who lives with his wife Cathy and sons Harry, 19, and Sonny, 11, near Leatherhead, said: 'He has integrated so well with the cast because he is so calm and relaxed.
Our method of training works on the dog's character and confidence, which means they can be comfortable even on stage in front of hundreds of people.
'It is a bit like, "Look at me, look at me,"' said Mr Cott.
'It was a little unfair of him to muscle in on such a lovely moment in the play.'
He and Harry, who is working as Bobby's chaperone during the show's run, spent a week integrating the dog with the cast and teaching Sian Brooke, who plays Dorothy, a series of silent cues to prompt his performance.
Mr Cott, who was born into an Irish farming family, said he enjoyed working with animals and that his time with the Boomtown Rats had helped him gear his training towards the film, music and television industries. He said contrary to some rumours, Bobby was not named after Geldof.
The Cotts, who own dress designing company Phoenix Cobham as well as running Dog Training One2One and A-ZAnimals, have helped coach thousands of animals using an American training method Mr Cott refers to as 'dog whispering.'
His last scheduled date this year. Unless he's planning to join the Rats...... Expect the usual of undue amounts of solo material and a rendition of I Don't Like Mondays.
• Ann Hampton Callaway & Novosibirsk Big Band • Return To Forever: Chick Corea, Stanley Clarke, Al Di Meola & Lenny White • Metro Special Edition feat. Randy Brecker & Dave Weckl • Bob Geldof
His participation in tonight's final may have already ruffled a few feathers, but Dustin the Turkey yesterday received the heavyweight backing of Bob Geldof in his bid for Eurovision glory.
The musician and co-founder of Live Aid said it would be nothing short of "rank poultryism" should "one of the greatest talents this country has ever produced" fail to be selected to represent "our glorious musical heritage" on the world stage.
"The mere fact of his being a turkey should give Ireland the edge," suggested Geldof. He said it should not be claimed that "simply because this giant is a turkey he is somehow unfit to represent his country".If the Eurovision Song Contest was known for anything at all, he added, "it is the vast number of turkeys it produces each year . . . Sure won't he gobble them up!"
Asked to comment on Bob Geldof's support, Dustin said he was glad to have the support of someone who, "like meself does a little bit of charity work in his spare time". He added: "I really am chuffed. We couldn't get Christy Moore."
Best thing Geldof has done since, err, the Great Song of Indifference.
Geldof is abandoned by his chauffer at a remote pub in the north of England. A lookalike competition is taking place which Geldof competes in order to win the cash prize and get to Scotland. Geldof has to compete with a Geldof lookalike singing a duet of I Don’t Like Mondays, which would be a splendid promo in its own right, and answer questions on Geldof. With a running time of around 19 minutes, this is a little gem that is well worth taking a look at.
Watch it http://www.comedybox.tv/index.aspx?filter=picks&clip=10249
Not a lot I can add other than there were two free concerts, an audience turned up and Geldof did as well.
1-Sep Warsaw 2-Sep Lubin
http://www.warsawvoice.pl/view/15646
Irish singer and charity campaigner Bob Geldof performed with Polish rock musician Lech Janerka at a Music for Peace concert on Warsaw's Teatralny Square Sept. 1. Geldof always wrote rock music with lyrics that never stayed indifferent to reality, and so his involvement in the Warsaw concert is no coincidence. Like Geldof's, Janerka's music is rebellious and expressive. With the Klaus Mitffoch band, which he formed in 1979, Janerka recorded an album titled after the name of the group that was hailed as one of the most important in the history of Polish pop and rock. The lyrics dealt with the reality of communist Poland in the 1980s, and many of the songs criticized the regime of the time.
Geldof off causing trouble in Libya. Rumours that the rioting started when he gave some of his solo material an airing are grossly exaggerated! Those Libyans have exemplary musical taste :-) . Word to the wise, stick to the Rats material in the future.
No one knows why Geldof was out there for an unannounced concert at a politcal rally for Gadaffi's son. Maybe it was political, maybe just financial. The band almost lost their equipment to boot. I suspect the next time Geldof is back in that part of the world it will be in the Irish pub in the middle of the fucking desert.
... the young people suddenly awoke with the arrival of Bob Geldof, the celebrated rocker and anti-poverty campaigner. Before starting, Geldof suggested the soldiers leave. Things then started to get nasty! The crowd chanted ("Libya! Libya! "), the spectators rained projectiles onto the stage, forcing Geldof and his musicians to wrap things up quickly.
... when Sir Bob Geldof then took to the stage to play a rock concert, talking in the language Libyans had been kept from learning and which they needed most in interacting and trading with the outside world, the crowd protested. Sir Bob tried to calm them, but their contempt grew even stronger. For days after streets were cordoned off in Benghazi, where many young men had been stirred.
What remains difficult to understand, however, is what was Geldof doing there in the first place? Accepting an invitation to play after the dictator's son's speech suggests support of a regime that has oppressed the Libyan people for 38 years.
Sir Bob Geldof's appearance on stage brought all this back; reminded us of what had been taken from us and was now being returned, by the very regime that had imposed this narrow interpretation of who we were, without apology or even an explanation, and in the grotesque form of a pop concert.
Simon Crowe is back on the road with Jiggerypipery with two dates in Scotland this weekend.
"I think the Boomtown Rats was a pop band really. We invented our own style – we were out to be successful, but not in the sense of wanting to be celebrities – though that was possibly an ambition of Sir Bob's. But we got to go around the world a couple of times – and we sold a lot of records!" Highland Times Article
There are even some MP3s available so you can listen to what Simon is up to these days Listen to Jiggerypipery
Bob Geldof in Concert Featuring: House band, back from Colombia and Spain, play infectious, danceable Irish folk-rock. Frontman talks the talk. Sponsored By: The Granary Price: £17.00
1. The Great Song of Indifference 2. Love or Something 3. A Sex Thing 4. When The Night Comes 5. Walking Back To Happiness 6. Banana Republic 7. Harvest Moon 8. One for Me 9. Mudslide 10. I Don't Like Mondays 11. Birthday Suit 12. Attitude Chicken 13. Someone's Looking At You 14. Joey's on The Street Again 15. Rat Trap 16. Room 19 17. Chains 18. Beat of the Night 19. Diamond Smiles
Bob Geldof is back at the Irish Village in Dubai a year after his last visit. The event is free and the crowd thickens, but there is enough standing room for all. Some laze on the lawn and enjoy the breeze and the timeless voice wafting though it. “The same old shirt, the same old suit, the same old place and the same old song,” says Geldof to an uproarious crowd. “I never thought we’d celebrate St Patrick’s Day in Dubai with a sandstorm,” he quips. “But it’s a balmy night.” He croons to a crowd that can’t seem to get enough of him — some old favourite numbers, one that he wrote during a trip to a remote Africa, that was never recorded, and a nice mix of loud and fast numbers and soft and sensuous ones.
They thought it was all over (well I did!) , but Geldof decided to continue with his music career in South America.
At $12.000 Colombian pesos a ticket it sounds expensive (probably is in Colombia), but equates to about £3.00 or $5.40. You could even have blown a tenner and rattled your jewellery at Geldof. 20% of the audience were students on a freebie, handy if you can't shift tickets.
"STUDENTS GO FREE TO BOB GELDOF'S CONCERT.Registration is open now. Enough places available" - On the day!
As for the gig itself, there was a crowd of 10,000 (gasp!), and he performed for around two hours. Among the songs reportedly played were I Don’t Like Mondays, This is the World Calling, The Beat of the Night, and Room 19 (Sha la la lee).
The following day, dressed like the man from Panama, he was presented with a a guitar fashioned from a decommissioned guerrilla AK47 at the Teatro Heredia.
And no hurricanes to spoil the spectacle this time.
It's possible there may be a podcast coming soon on the Hay Festival Archive site..... (don't hold your breath though)
http://www.gematours.com/hayfestival/en/ 20:30H, PLAZA DE LA ADUANA Bob Geldof in concert The Hay Festival is pleased to present, for the first time in Colombia, Bob Geldof, organiser of the legendary concerts Live Aid and Live 8 and founder of the band Boomtown Rats. Geldof’s music fuses an Irish sound with classic rock and he is one of the great international music stars. TICKET PRICE: $12.000 Colombian pesos VIP ZONE PRICE: $ 40.000 Colombian pesos
Alternatively, hear him speak!
12:00- 13:00h, Teatro Heredia (Heredia Theatre) Bob Geldof in conversation with Peter FlorenceAs well as being an exceptional musician, Bob Geldof was one of the main organisers of the Live Aid (1985) and Live 8 (2005) concerts which attracted world attention towards the growing problem of poverty in Africa. In July 2005 the Live 8 concerts drew crowds of 3 billion people spread across ten different cities. Largely due to international pressure exerted by the attendance success at the concerts, members of the G8 agreed to significantly increase economic aid to several African countries. The charismatic rock star will talk to Peter Florence, Director of the Hay Festival, about music, Ireland and with regards to Africa, about the G8 leaders, aid programmes and trade tariffs. Simultaneous translation into Spanish will be provided..
A list of bootlegs - I haven't got any of them. All MP3s gratefully accepted.
BBC in Concert 1978 52.40 01. Intro 02. Mary Of The Fourth Form 03. Me & Howard Hughes 04. I Never Loved Eva Braun 05. Don't Belive What You Read 06. Rat Trap 07. Kicks 08. Joey's On The Street Again 09. Living On An Island1 0. She's Gonna Do You In11. Like Clockwork1 2. She's So Modern13. Looking After Number One14. Do The Rat
Live in Germany 1978 41.53 1. Close As You'll Ever Be 2. Never Bite The Hand That Feeds3. Kicks4. She's So Modern5. Joey's On The Street Again6. Don't Belive What You Read7. She's Gonna Do You In8. Do The Rat9. It's All The Rage1 0. Mary Of The Fourth Form11. Looking After Number One
Middlesex Polytechnic 1978 52.33 1. Mary Of The 4th Form 2. Me And Howard Hughes3. I Never Loved Eva Braun4. Don't Believe What You Read5. Rat Trap6. Kicks7. Living In An Island8. She's Gonna Do You In9. Like Clockwork1 0. She's So Modern11. Do The Rat
Live at Rainbow 1978 49.32 1. Mary of the 4th Form 2. I Never Loved Eva Braun3. Close as You'll Ever Be4. Late Last Night5. Me and Howard Hughes6. Like Clockwork7. Joey's on the Street Again8. Rat Trap9. Don't Belive What You Read1 0. So Strange11. She's So Modern1 2/13. Looking After N°1 14. Blind Date
Live Rarities 1978/79/84 64.11 track list Live at the Musiklanden 1978 1. Never bite the hands that feed 2. Kicks3. She’s so modern4. Joey’s on the street again5. Don’t belive what you read6. She’s gonna do you in7. Do the rat8. It’s all the rage9. Mary of the 4th form1 0. Looking after n°1 Live in Los Angeles 1979 11. Having my picture taken1 2. Rat trap13. Keep it up14. “Promo Radio” Live for The Tube 1984 15. Drag me down16. Rat trap
Live 1979 49.32 Live in Frankfurt 1. I don't like mondays 2. Like clockwork3. Nothing happened today4. Nice' n' neat5. Having my picture taken6. Rat trap7. Kicks8. Someone's looking at you Live at Hammersmith (London) 9. Like Clockwork1 0. Charmed lives11. Up all night1 2. I don't like mondays13. Rat trap
Live at Boston Mass ( 2 CDs) 1980 43.32 + 44.36 CD 1 1 Wind Chill Factor (Minus Zero) 2 Like Clockwork3 Nothing Happened Today4 I Never Loved Eva Braun5 Nice 'n' Neat6 Having My Picture Taken7 Joey's On the Street Again8 I Don't Like Mondays9 Someone's Looking At You CD 2 1 Keep it Up (very beginning cut) 2 Rat Trap3 Kicks4 Mary of the 4th Form (incl Band intros)5 Blind Date6 She's So Modern7 Looking After Number 18 Sleep (Finger's Lullaby)
Live at NHK-Hall Tokyo 1980 61.18 1. Wind Chill Factor (Minus Zero) 2. Like Clockwork3. Nothing Happened Today4. I Never Loved Eva Braun5. Nice 'n' Neat6. Joey's On the Street Again7. I Don't Like Mondays (end cut)8. Rat Trap9. Mary of the 4th Form1 0. Blind Date11. She's So Modern1 2. Looking After Number 1 13. Diamond Smiles
Live at BBC College Concert 1982 51.48 1. Like Clockwork 2. Charmed Lives3. Up All Night4. House On Fire5. Nothing Happened Today6. Never In A Million Years7. Sleep (Finger's Lullaby)8. I Don't Like Mondays9. Having My Picture Taken1 0. Rat Trap11. Keep It Up
Live at BBC's Radio One 1982 62.38 1. As Close As You'll Ever Be 2. Like Clockwork3. Charmed Lives4. House On Fire5. Nothing Happened Today6. I Don't Like Mondays7. Joey's On The Street Again8. Having My Picture Taken9. Rat Trap1 0. Someone's Looking At You11. Keep It Up Bonus track:1 2. Looking After No. 1 - (live for Ireland - 1986)
London 1982 46.58 1. Like Clockwork 2. Charmed Lives3. Up All Night4. House On Fire5. Wild Chill Factor Minus Zero6. Never In a Million Years7. Sleep (Fingers' Lullaby)8. I Don't Like Mondays9. Having My Picture Taken1 0. Rat Trap
Live at Tenax 1982 Italy 71.45 1. Never Bite the Hand That Feeds 2. Living in an Island3. Stir It Up (B. Marley)4. Charmed Lives5. Wind Chill Factor (minus zero)6. Sleep (Finger's Lullaby)7. I Don't Like Mondays8. Joe's on the Street Again9. Having My Picture Taken1 0. Rat Trap11. Keep It Up1 2. Banana Repuplic13. Under Their Thrumb14. Someone's Looking at You
BBC Rock Hour / Westwood One 1982/83 51.13 track list BBC Rock Hour - (198 2) 1. Like Clockwork 2. Charmed Lives3. Up All Night4. I Don't Like Mondays5. Rat Trap Westwood One (1983) 6. Nothing Happened Today7. Never In A Million Years8. I Don't Like Mondays9. Having My Picture Taken1 0. Rat Trap11. Keep It Up
Sight & Sound 1984 38.53 1. Like Clock Work 2. Charmed Lives3. Lucky4. Tonight5. Talking in Code6. Someone's Looking at You7. Dave8. Rat Trap
BBC In concert 1985 57.43 track list 1. Intro 2. Charmed Lives3. Lucky4. Neon Heart5. Wind Chill Factor (Minus Zero)6. Dave7. A Hold Of Me8. I Don't Like Mondays9. Talking In Code1 0. Hurt Hurts11. Rat Trap1 2. Drag Me Down13. Looking After Number One
Aid & More! 1985/86 53. 29 track list Boomtown Rats - Self Aid1. Someone's Looking at You 2. Joey's on the Street Again3. Looking After N°1 B. Geldof - Will Shriner Show4. You Can't Be Too Strong Boomtown Rats - Unre. traks5. Say Hi to Mick6. Precious Time7. Walking Downtown Boomtown Rats - Live Aid8. I Don't Like Mondays9. Drag Me Down1 0. Rat Trap Boomtown Rats -Live at Tenax11. Do They Know it's Xmas?
Live in Glastobury 1986 time 58.59 track list 1. Introduction 2. Charmed Lives3. Lucky4. Neon Heart5. Wind Chill Factor6. Dave7. A Hold of Me8. I Don't Like Mondays9. Talking in Code1 0. Hurt Hurts11. Rat Trap1 2. Drag Me Down13. Looking After N°1
On a Night Like This 1986 56.33 track list 1. Elephants Graveyard 2. Charmed Lives3. Lucky4. Neon Heart5. Someone's Looking at you6. Dave7. Hold of Me8. I Don't Like Mondays9. Talk in Code1 0. Rat Trap11. Drag me Down1 2. Looking After N° 1
Ireland & Dubliners 1986 time 71.39 track list 01. C’MOON EVERYBODY / U 2 0 2. PRIDE / U 2 03. SUNDAY BLOODY SUNDAY / U 2 04. MAGGGIE’S FARM / COLD TURKEY/ U 2 05. THANKS THE INFORMATION / VAN MORRISON 06. HERE COMES THE KNIGHT / VAN MORRISON 07. A TOWN CALLED PARADISE / VAN MORRISON 08. SOMEONES LOOKING AT YOU / BOOMTOWN RATS 09. JOEY’S ON THE STREET AGAIN / BOOMTOWN RATS1 0. LOOKING AFTER N° 1 / BOOMTOWN RATS11. LEAVE MY KITTEN ALONE / ELVIS COSTELLO1 2. COMPLICATED / ELVIS COSTELLO13. MANY RIVER TO CROSS / ELVIS COSTELLO14. I HOPE YOU’RE HAPPY NOW / ELVIS COSTELLO 15. PUMP IT UP / GLORIA / ELVIS
Geldof has always been a great fan of Kris Kristofferson, who wrote these songs, and when he went to see Kris performing in London, Geldof was blown away when Kris dedicated "The Pilgrim" to him.
Franz Ferdinand, Snow Patrol, The Kooks and Four Tet are amongst the artists contributing to a collection of children’s songs curated by Belle and Sebastian, to raise funds for children’s charity, Save the Children. ‘Colours are Brighter’ will be released on Rough Trade on October 16th, with all profits and artist royalties from the record being donated to the charity.
Geldof played in Milan. A bigger audience this time! And with no more concerts scheduled and no album in the offing, this could be the last Geldof concert.
The MTV webcast is a mix of songs and interviews conducted in English with the questions/responses translated into Italian by the interviewer as she conducts the interview. She sits between Geldof and BobVince Loveday whilst conducting the interview. The latter looks like Johnny Vegas' dad!
The performance is at its best when Geldof dips into the Rats back catalogue; there is a storming version of Joey's on the Street Again in Part Three of both the video and podcast. Sadly the audience remaimed seated, though they looked to be tapping their feet and enjoying the free show!
Broadcast Songs The Great Song of Indifference Love or Something ---------------------------- A Sex Thing Walking Back to Happiness Banana Republic ---------------------------- The Beat of the Night I Don't Like Mondays Joey's On The Street Again ---------------------------- Rat Trap Encore.... A Hole to Fill Attitude Chicken
Given he can't take his solo career any further, I don't suppose he would be tempted to have a 30th anniversary reunion with the rest of the Rats in Dublin next year, would he? Nah!
Garrick Roberts is making his way as a plumber out in the wilds of Herefordshire Garrick the Plumber Anyway, now Garrick has come out of hiding, he has wasted no time in putting the boot in with regard to Geldof. Roberts said: 'During the 1980s, we signed an agreement saying songwriting royalties would be split – with 50 per cent going to the writer and 50 per cent going to the other band members. But when the band split up none of us, bar Geldof, heard anything. We weren't given any control over the songs and haven't received a penny,' '... we appointed solicitors to ask Bob Geldof and the accountants dealing with the band where the royalties have gone. Every time one of our songs appears on a greatest hits album, money is generated – but I haven't seen any of it.' 'He [Geldof] was always much more of a self publicist than the rest of us. He's learned to use his fame. It's what he's about now.' Unpaid Royalties Bob the Self Publicist Tell it as it is! Even if the Rats never get to court, a reunion at Maddison Square Gardens could set them up for life! I'm backing Garrick, he always looked the hardest.
The concert was aborted after 30 minutes due to a hurricane. There was an near capacity audience thanks to the free tickets and the massive presence of college students.
22:00, Plaza del Azoguejo Square (Aqueduct bridge)
Bob Geldof in concert
Celebrate the Hay Festival with a concert by the founder of The Boomtown Rats and Live Aid. Bob Geldof's music fuses an Irish folk sound with classic rock and he is one of the great live performers, to dance to, to listen to and to enjoy
Fair play to Tom Robinson. He had little to gain from supporting Geldof in this way, but he has stated that The Boomtown Rats were a significant band in their late seventies heyday. "Why all this bitter schadenfreude when it comes to Bob and the boys ?" Indeed, what did Geldof do that was so wrong? Always got it in the neck.
Still bit of a cheek for Tom to lump himself in with the Rats and Squeeze, he wasn't that good! Though he wasn't bad to be fair (Up Against The Wall, 2-4-6-8 Motorway, War Baby and Glad To be Gay).
I'm appalled by the torrent of ignorant, spiteful bile directed towards Bob Geldof and his music in response to yesterday's post - typified by HowSoonIsNow's comment: "As a musician he's a dead loss: mountain of attitude, molehill of talent."
Blimey. An Italian promoter made a major miscalculation as to venue size and ticket price - a not uncommon occurrence - and suddenly it seems to be open season on Geldof's musical career and personal integrity.
To begin with the music: you don't have to like Bob's songs to at least respect the fact that others - including me - have liked them a lot. Here is a man who wrote 13 top-30 hits between 1977 and 1990, including two number ones.
Any fool with modest talent, reasonable looks and towering ambition can knock out one or two hits if they are lucky and pushy enough. Look at James Blunt. Or me, come to that. As Lady Bracknell might have said, to have written half a dozen hits may be regarded as good fortune; to have written more than a dozen looks like talent - at least from where I'm sitting.
Certainly, artists and their music fall in and out fashion. But album tracks such as The Beat of the Night (Deep in the Heart of Nowhere) and The New Routine (Sex, Age and Death) make regular appearances on my iPod - and radio playlists - on sheer musical merit alone.
And, contrary to Scrittipolitti's posting, the Boomtown Rats didn't have a "heyday" in 1981, when they may or may not have been "reassuringly shite": they had a genuine, measurable, shout-it-from-the-rooftops heyday in 1977-8, when they clawed their way from obscurity to the NME front pages with a series of blinding gigs that blew away all competition night after night. The songs were great, the band were hot and Geldof was a rivetingly charismatic frontman.
If they lost the plot later on under the pressures of success, it was no more than happened to contemporaries such as TRB, Squeeze, the Hot Rods, Graham Parker and countless others. So why all this bitter schadenfreude when it comes to Bob and the boys ?The uncharitable sneer from Correspondent Bob's solo career was "a half-hearted exercise which never took off and was over 20 years ago" is simply incorrect: Bob's hilariously defiant Great Song of Indifference made number 15 in 1990 and was widely covered in dozens of languages by recording artists across the globe - for the simple reason that people everywhere liked the song - on its own merits - very much indeed.
As to his subsequent lack of musical output, Bob's personal life, in case you've forgotten, was devastated by loss, strife and tragedy during the 90s in the full intrusive glare of the world's media, gleefully detailing every fresh blow. He told me three years ago that at times of crisis there would be an average of 40 reporters camped outside his house. A scooter from the Daily Mirror and a van from the News of the World with blacked out windows tailed him everywhere he went. Even when he escaped the pressure at the weekends in Paris with close friends, there would still be journalists waiting for him on the Eurostar home.The astonishing thing is not that it took him until 2002 to write another album - the critically acclaimed Sex, Age and Death - but that he managed to make one at all under such conditions.
Whatever it is Bob Geldof wants, I'll bet you a quiet family life comes top of the list and getting his picture in the papers is pretty close to the bottom. The problem is that, whether he likes it or not, he has one of the most recognisable faces on the planet, which gives him almost unique access to the world's media - and most powerful political leaders - whether he chooses to use it or not. Many of us feel that world debt and global trade barriers are a humanitarian scandal and Aids is an unfolding global catastrophe. But not many of us can do much about it beyond charitable giving, letter writing and attending the occasional demonstration. Let's suppose for a moment that Bob actually would like a quiet, easy life - News of the World permitting. What would you do in his place, knowing that simply picking up the phone might save dozens or even hundreds of lives? Put up the shutters, mutter "I've done enough" and tell the world to go fuck itself? Or would you be big enough to accept the facts, the horrible responsibility that circumstance had thrust in your lap? Would you have the strength to put yourself in the firing line all over again, resigned to the fact that the media would think and write the worst about you whenever possible; and that whether you sought to alleviate a little of the world's unnecessary suffering or simply sit on your arse like everyone else, armchair critics would rip you to shreds? "Just think, all that self promotion and no one wants to know. Perhaps he should put up a montage of suffering Africans to get the punters in," wrote Xuitlacoche on yesterday's blog. Well, comment is free, and you are entitled to your opinion. Mine is that, on balance, the world is a better place thanks to Geldof's efforts than if simply sat down, shut up and crawled into a corner, as you would seem to prefer. Bob himself expressed all this far more eloquently, and at greater length, in his review of 1985 for the Guardian last December. Bigmouth strikes again? More power to his larynx.
Francesco Iacovone, the impresario who organised the concerts, said that he suspected sabotage. “We have been boycotted,” he said, though it was not clear why or by whom. It was incomprehensible that “an artist whose internet site has 19,000 visitors” and who had “fans throughout the world” had failed to arouse interest in Italy.
Signor Iacovone said that some internet sites had falsely claimed that tickets for the concerts were sold out, and that he was “considering legal action”.
...now whatever happened to that gig at Shepherd's Bush that was postponed?
Bob Geldof has been forced to cancel two concerts in Italy because of lack of public interest, after only 45 people turned up to see him perform in Milan, Italy's La Stampa newspaper reported on Saturday.
Geldof played a late night/early morning gig in Malta.
Set list included I Don't Like Mondays, The Great Song Of Indifference, Harvest Moon, Banana Republic, Mary Of The Fourth Form, Rat Trap, Mudslide, My Birthday Suit & Scream In Vain.
Back in 1975, Canvey Island's finest released the album that would inspire a generation. Not only was it a major influence on The Boomtown Rats eponymous album, but also The Jam and other members of the class of 1976. What the Ramones did for stateside punk/new wave, The Feelgoods were doing this side of the pond. With its stark black and white cover, and recorded exclusively in mono, it was not of its time. So pay homage to Lee Brilleaux, Wilko Johnson, John 'Big Figure' Martin and John B. 'Sparko' Sparks!
Dr. Feelgood were absolutely central to the Boomtown Rats. When I heard Down by the Jetty, it just fcuking blew me away. The Feelgoods were in it for me. Our early live set used to be their entire first album. When I heard the line 'Stand and watch the towers burning at the break of day', which was about the Canvey Island burn-offs, I realised that it wasn't enough for music to sound good. It had to mean something, to reflect where you came from. - Bob Geldof
[From the sleevenotes - Down By The Jetty COLLECTORSEDITION]
Bob Geldof was in Dubai to speak at an DIHAD, an international development conference. He also found time to perform at The Irish Village, which is Ireland' own little corner of Dubai and sports a few Irish pubs and a large garden area. It's a pretty good venue with a capicity, by my estimate, of less than a 1,000 and decent acoustics given its outdoors. Geldof didn't quite see it that way, bemoaning the fact that his career had come to performing to 'a small crowd at the back of an Irish pub in the middle of the fucking desert'.
Bob Geldof is the third recipient of the IRMA Honours award.
The award, which is organised by the Irish Recorded Music Industry recognises the outstanding talent and contribution of an artist or individual to Irish music.
Previous award winners are Christy Moore and Larry Gogan.
"The last time I came back I was given the freedom of my home town and now the people that I grew up with are here tonight so I'll really be getting the prize from them. There is nowhere else on the planet I'd rather be and no other people that I'd want to be with than those here "Thanks to the IRMA and the Rats who were a great band. It's great to be Irish and come back and see Ireland suddenly change for the better. "Irish people used not to be taken seriously. Now we are, in terms of music, as Ireland has become a brilliant place for music. "The music ones (awards) are the ones that count for me because that's what I think I do. I've got a lifetime achievement in Britain and America and Europe but I've never seen the people who I grew up with or who helped the Rats get started ever be part of one of these things. "So the people who owned the record store in Dun Laoghaire ... people who helped us at the beginning get gigs, they are all here plus the bands that followed the Rats, like The Radiators, The Pogues, I suppose U2, The Thrills. To have a whole generation who helped make that change in music means more to me than being in London in a posh hotel with people who would be considered major, major stars "Of course I understand that the Boomtown Rats unto themselves wouldn't get it, that the Boomtown Rats plus my solo thing wouldn't get it - I know that but don't forget that Live 8, Live Aid and Band Aid came out of music. "I know how to do gigs and TV out of music, so if I hadn't been in this little band from Dun Laoghaire,that cranked up one summer afternoon 30 years ago none of this would have happened."
Bob Geldof was awarded with the Freedom of the City of Dublin. He was presented with a scroll and crystal globe during the ceremony outside the Mansion House.
"It's raining and it's cold but it's a beautiful day and I can't think of a more beautiful day or more beautiful city to hold this in than Dublin.
"If London made me, then Dublin formed me. To be a freeman of one of the most free cities on the planet is indeed something. When I say it is a free city, the atmosphere here, the ability to say and do what you want, is freer her than in most cities around the world.
I have lived all my life in this town, which in reality during my childhood was a little brown, little pinched, little parochial town on the edge of Europe. You now have this expansive city, one that sort of marries the generosities of a nation.
"And it didn't seem to connect at all with the world that I was hearing coming in on the radio and imagining coming in on my head. In 1975, myself and a group of friends got together to make a band that would articulate the possibility of a different Ireland.
"I am equally proud the first ever [Irish] rock 'n' roll number one, indeed the first in a new wave, was from an Irish band called the Boomtown Rats, and it was wrote about this city and it was called Rat Trap."
ShockWaves NME Awards 2006 pay tribute to the Live8 man
Bob Geldof has been named the Hero Of The Year at the ShockWaves NME Awards 2006.Readers of NME and NME.COM voted for the singer ahead of Carl Barat, Pete Doherty, Liam Gallagher and Arctic Monkeys' Alex Turner in the category.
Following the concerts, the subsequent G8 summit promised to give $50 billion more aid per year by 2010, AIDS drugs to all those who need them, care for all AIDS orphans and debt cancellation for 18 countries.
Bob Geldof collects the gong at the ShockWaves NME Awards 2006
Bob Geldof has accepted the Best DVD award for Live8 - and was introduced by his old pal Bono. The U2 singer presented Geldof with the award via a video link-up, where he said that he was glad Geldof hadn't told him to "fuck off" when the idea to re-create Live Aid was touted last year.
Live8 - which was held last July in London Hyde Park and other cities across the world, saw stars including Madonna, Pink Floyd, Razorlight and The Killers unite to call for debt relief.
The subsequent DVD set compiles 120 performances, adding unseen backstage footage, messages and documentaries.Other nominees in this category included 'Dig!', Green Day: Bullet In A Bible', 'Kaiser Chiefs: Enjoyment' and Morrissey: Who Put The M In Manchester?'.
You have to register (as many times as possible), but this is an attempt to mobilise the masses and get Geldof a Brat to go with his Brit! Of course, there will be the added pleasure of wiping the smile of the smug NME jounalists.
The other contenders...
Carl Barat Pete Doherty Liam Gallagher Alex Turner
PS You can also vote for Live 8 as best event/DVD, and if you ain't too familiar with modern music, just vote for Franz Ferdinand in all the relevant categories.
The story behind the song..... (repeated on More 4 Wednesday 25th Jan 10.00pm)
On the morning of Monday 29th January 1979, 16-year-old schoolgirl Brenda Spencer took the .22 calibre gun her father had given her as a Christmas present and aimed it at the school playground directly opposite her family home. She killed two men and injured eight children. All she would say at the time was "I don't like Mondays, it livens up the day." The incident inspired the Boomtown Rats' number one hit song. It was the first school shooting of its kind, a phenomenon that would spread across America and culminate in the infamous Columbine tragedy. This film examines allegations surrounding a seemingly ordinary suburban family behind the eerie detachment of Brenda Spencer's original statement. I Don't Like Mondays secured unique access to Brenda's prison parole hearing in September last year and includes exclusive and revealing interviews with members of Brenda's family as well as her victims. The film traces the bizarre events of that day and asks how and why it happened.
The program started and ended with the song. At the end, the Police chief condemned the song as idiotic, and the NBC reporter had similar comments. Most incredibly, one of the girls shot refered to the fact that she heard the song every Monday at about 2pm, when she started work and enjoyed it!
Most interesting was the interview of her father, Wallace, in the last part. He still lives in the same house that faces the school and the time of the interview was when the kids were leaving school. He was in total denial of his part in the incident (interestingly enough, he married his daughter's cell mate), and didn't believe the way he raised his daughter had anything to do with it. His ex-wife believed he was the one who should have been in jail.
Brenda Spencer was tried as an adult rather than a minor. She pleaded guilty to killing two people, and did not face a jury. This may have spared her the death penalty, Obviously, many of those who were shot or who lost a family member all wanted her dead and believed she would do it again if released. This was not a view shared by those detached from the incident.
Ultimately she is a fairly stupid girl/woman whose ambitions were to find any excuse to get out of jail and work on a fork lift truck. A lot of her parole hearing related the shooting to the abuse she suffered at the hands of the father, though that seems to be de rigueur for elicting sympathy these days.
The Spencers were as a family made disfunctional by a father who wanted to have affairs yet be able to return to his wife and thought nothing of the consequences of giving a 16 year old girl a rifle for Christmas.
I don't believe she would reoffend if released. In the context of the light sentences handed out to the happy slapper murderers in this country yesterday http://www.london-se1.co.uk/news/view.php?ArtID=1964, she seems to have had a bad deal. I guess it all depends on whether you believe prison is to rehabilitate or punish. Her notiriety, the first school spree killer, has ensured she is still behind bars.
Having watched the programme, I do feel that Mondays, unlike Bowling for Columbine which condemned the lax US gun laws, came across as a nasty opportunistic song. People were affected by this incident, and hearing the song must bring back a lot of bad memories.
I never felt the song was apt for either Live Aid or Live 8. It's never been one of my favourite songs, but watching this, made it seem even lesser. Maybe it's time to retire it.
The Boomtown Rats 1978 Peel session was broadcast tonight in its entirety! Starting with Like Clockwork at approximately 10.15pm and followed by Me & Howard Hughes at 11.10pm. Then just after midnight, came (Watch Out For) The Normal People and Living In An Island.
You can catch it for up to seven days at http://www.bbc.co.uk/6music/shows/dream_ticket/
A list of bootlegs - I done have any, all MP3s gratefully accepted.
Eric's Bootlist: Boomtown Rats / Bob Geldof. Email: groenewo@tiscali.nl URL: http://eric.wolweb.nl/boots/boots.htm Last updated: 1 Aug 2003
the Boomtown Rats Date #disks Artw Qual Show ----------------------------------------------- 1977? F Yes A Studio, BBC Evening session (3 songs, filler on request) ??/09/1978 1 Yes A Live Middlesex Polytechnic - Don't Believe What You Hear bootleg ??/09/1978 1 No A- Live Middlesex Polytechnic (same show as Don't Believe.. + 1 track) 05/01/1980 1 No A Live at NHK-Hall Tokyo, Japan 17/03/1980 2 No A Orpheum Th., Boston Mass) 23/03/1980 1 No B Chicago 1980 1 No A- Germany 1980 25/05/1980 1 No A- King Biscuit Flower Hour 17/03/1981 1 Yes B Seattle, Washington 25/07/1981? 1 No A- Parkpop, Den Haag? 17/04/1982 1 No B Newcastle Exhibition Park - England 25/04/1982 1 Yes A London Great Brittain 03/10/1982 1 No A B.B.C College Concert 1982 1 No A- Radio One, Frankfurt 25/05/1982 1 No A BBC Rock Hour 1983 1 No A Westwood One 1984 1 No A- On A Night Like This (from video) 11/02/1984 1 No A- BBC Sight & Sound 21/06/1985 1 No A- Glastonbury Festival
Bob Geldof Date #disks Artw Qual Show ----------------------------------------------- ??/??/1986 1 Yes B+ Milan 1986 ??/10/1990 2 Yes A Hamburg 1990 05/12/1992 1 Yes A- Oldenburg 05/12/1992 1 No A Oldenburg 30/08/1992 1 No B+ Greenbelt Festival 1993 1 No B Phoenix Club Toronto mixed 1994 1 No B+/A- Live in Italy 20/06/1998 1 No B Wetzikon Switzerland 16/03/1999 2 No B+ Teatro Tendo Florence 08/07/2001 1 No B+/A- Rock Circus San Vittore Switzerland 08/02/2002 1 No B Trento, Italy 28/03/2002 1 Yes A Villa Berg Stuttgart
The Boomtown Rats - BBC Evening Session (1977) 01 Mary Of The 4th Form 02 Looking After Number One 03 Joey's On The Street Again Studio recordings, date unknown
The Boomtown Rats - Live Middlesex Polytechnic (Sep 1978) 01 Mary Of The 4th Form 02 Me And Howard Hughes 03 I Never Loved Eva Braun 04 Don't Believe What You Read 05 Rat Trap 06 Kicks 07 Joey's On The Street Again 08 Living In An Island 09 She's Gonna Do You In 10 Like Clockwork 11 She's So Modern 12 Looking After Number One 13 Do The Rat Length: 00:52:25 All tracks live at Middlesex Polytechnic, North London. Source: FM>DAT>ANA>HD>CD Great quality (A-)! Also available as "Don't Believe What You Hear" bootleg, lacking track 13 Length: 00:49:45; Soundboard;Quality: A+
The Boomtown Rats - Live at NHK-Hall (1980/05/01) ! Track 7 cut 01 Wind Chill Factor (Minus Zero) 02 Like Clockwork 03 Nothing Happened Today 04 I Never Loved Eva Braun 05 Nice 'n' Neat 06 Joey's On the Street Again 07 I Don't Like Mondays (end cut, tape flip) 08 Rat Trap 09 Mary of the 4th Form 10 Blind Date 11 She's So Modern 12 Looking After Number 1 13 Diamond Smiles Source: MC(gen 1)>HD>CD Quality: A
The Boomtown Rats - Orpheum Th., Boston Mass (17-03-1980) (2 CDR) ! A radio-reporter is talking in between some songs CD 1 01 Wind Chill Factor (Minus Zero) 02 Like Clockwork 03 Nothing Happened Today 04 I Never Loved Eva Braun 05 Nice 'n' Neat 06 Having My Picture Taken 07 Joey's On the Street Again 08 I Don't Like Mondays 09 Someone's Looking At You (very end cut) CD 2 01 Keep it Up (very beginning cut) 02 Rat Trap 03 Kicks 04 Mary of the 4th Form (incl Band intros) 05 Blind Date 06 She's So Modern 07 Looking After Number 1 08 Sleep (Finger's Lullaby) Source: MC(gen 1)>HD>CD Quality: A
The Boomtown Rats - Chicago (23/03/1980) 01 Wind Chill Factor (Minus Zero) [missing start of song] 02 Like Clockwork [flaw] 03 Nothing Happened Today 04 I Never Loved Eva Braun 05 Nice 'n' Neat 06 Having My Picture Taken 07 Joey's On the Street Again 08 I Don't Like Mondays Quality: B Length: 38:34
The Boomtown Rats - King Biscuit Flower Hour (25/05/1980) 01 I Don't Like Mondays 02 Like Clockwork 03 Nothing Happened Today 04 Nice 'n' Neat 05 Having My Picture Taken 06 Rat Trap 07 Kicks 08 Someone's Looking At You Tracks 1 - 8: King Biscuit Flower Hour (25 May 1980) Source: LP>HD>CD (I own the LP)
The Boomtown Rats - Germany 1980 01 I Don't Like Mondays (some hiss) 02 Like Clockwork 03 Nothing Happende Today 04 Nice 'n' Neat 05 Having My Picture Taken 06 Kicks 07 Someone's Looking At You Quality: A- Length: 29:42
The Boomtown Rats - Seattle Washington (17/03/1981) 01 I Never Loved Eva Braun [some dropouts] 02 Me And Howard Hughes 03 This Is My Room 04 Up All Night 05 Elephant's Graveyard 06 Nothing Happened Today 07 Having My Picture Taken 08 I Don't Like Mondays 09 Someone's Looking At You 10 Keep It Up 11 Rat Trap Quality: B (track 1: some dropouts) Source: FM
The Boomtown Rats - Parkpop, Den Haag (25/07/1981) 01 Like Clockwork 02 She's So Modern 03 House On Fire 04 Never In A Million Years 05 Having My Picture Taken 06 Rat Trap Tracks 1 - 06: Parkpop, Den Haag (25 Jul 1981) (Dutch show, venue and source not sure) Source: FM>MC>HD>CD (I own the MC) Quality: A+
The Boomtown Rats - Newcastle Exhibition Park; England (17/04/1982) 01 Close As You'll Ever Be 02 Like Clockwork 03 Charmed Lives 04 House On Fire 05 Nothing Happened Today 06 I Don't Like Mondays 07 Joey's On The Street Again 08 Having My Picture Taken 09 Rat Trap 10 Someone's Looking At You 11 Keep It Up 12 Looking After Number 1 Source: MC(gen 1)>HD>CD Quality: A-
I also have a second source of this show, having first 11 tracks; Quality: B, Lenght: 56:53
The Boomtown Rats - London Great Brittain (25/04/1982) 01 Like Clockwork 02 Charmed Lives 03 Up All Night 04 House On Fire 05 Wind Chill Factor (Minus Zero) 06 Never In A Million Years 07 Sleep (Finger's Lullaby) 08 I Don't Like Mondays 09 Having My Picture Taken 10 Rat Trap
The Boomtown Rats - BBC Rock Hour (25/05/1982) 01 Like Clockwork 02 Charmed Lives 03 Up All Night 04 I Don't Like Mondays 05 Rat Trap Tracks 1 - 5: BBC Rock Hour (25 May 1982) Source: LP>HD>CD (I own the LP)
The Boomtown Rats - B.B.C College Concert (03/10/1982) (CDR) 01 Like Clockwork 02 Charmed Lives 03 Up All Night 04 House On Fire 05 Nothing Happened Today 06 Never In A Million Years 07 Sleep (Finger's Lullaby) 08 I Don't Like Mondays 09 Having My Picture Taken 10 Rat Trap 11 Keep It Up LP>HD>CD (I own the LP) Quality: A+ Length: 51:42
The Boomtown Rats - Westwood One (1983) 01 Nothing Happened Today 02 Never In A Million Years 03 I Don't Like Mondays 04 Having My Picture Taken 05 Rat Trap 06 Keep It Up Tracks 1 - 12: Westwood One (1983) Source: LP>HD>CD (I own the LP) Quality: A+
The Boomtown Rats - On A Night Like This (1984) 01 Elephant's Graveyard 02 Charmed Lives 03 Lucky 04 Neon Heart 05 Someone's Looking At You 06 Dave (Rain) 07 Hold Of Me 08 I Don't Like Mondays 09 Talk In Code 10 Rat Trap 11 Drag Me Down 12 Looking After Number 1 Quality: A- Very small disturbances inbetween songs: probably a TAO recording corrected to DAO
The Boomtown Rats - BBC Sight & Sound (11-02-1984) ! some minor disturbances in track 1 and 2 ! dropout in track 6 01 Like Clockwork 02 Charmed Lives 03 Lucky 04 Tonight 05 Talking In Code 06 Someone's Looking At You 07 Dave 08 Rat Trap source: FM Quality: A- Length: 38:53
The Boomtown Rats - Glastonbury Festival (21/06/1985) 01 Charmed Lives 02 Neon Heart 03 Wind Chill Factor 04 Dave 05 I Don't Like Mondays 06 Talking In Code 07 Hurt Hurts 08 Rat Trap 09 Drag Me Down 10 Looking After Number 1 Source: FM>ANA>CDR Quality: A
Bob Geldof - Milan (1986) 01 Redemption Song (B.Marley) 02 In The Pouring Rain 03 Me And Howard Hughes 04 This Heartless Heart 05 Good Boys In The Wrong 06 The Beat Of The Night 07 Intermezzo 08 Hurt Hurts 09 Love Like A Rocket 10-11 This Is The World Calling 12 When I Was Young 13 Joey's On The Street Again 14 audience 15 Diamond Smiles Lenght: 73:58 Quality: B+ Source: audience
Bob Geldof - Hamburg (Oct 1990) CD 1 01 The Great Song Of Indifference 02 The Chains Of Pain 03 A Gospel Song 04 A Rose At Night 05 Love Or Something 06 Moving Slow 07 The Heat Of The Night 08 I Don't Like Mondays 09 Walking Back To Happiness 10 Looking After Number 1 11 Let It Go 12 Rat Trap 13 Big Romantic Stuff CD 2 encores 01 The Great Song Of Indifference - reprise 02 Love Like A Rocket 03 Hole To Fill All tracks live at Hamburg, oct 1990. Quality: sndb Note: I also have another copy of this show, only having the first 13 tracks.
Bob Geldof - Oldenburg 1 (05/12/1992) (CDR) I have two different copies of this show ! track 10 cut at the end 01 Too Late God 02 A Hole To Fill 03 A Gospel Song 04 Love Or Something 05 I Don't Like Mondays 06 Room 19 07 The Happy Club 08 The Great Song Of Indifference 09 Roads Of Germany 10 Walking Back To Happiness [cut] 11 The Great Song Of Indifference (reprise) 12 Love Like A Rocket 13 A Hole To Fill Quality: A-
Bob Geldof - Oldenburg 2 (05/12/1992) 01 backstage interview 02 The Great Song Of Indifference 03 Too Late God 04 A Hole To Fill 05 A Gospel Song 06 Love Or Something 07 I Don't Like Mondays 08 Room 19 09 Walking Back To Happiness 10 Let It Go [cut at beginning] 11 The Happy Club 12 The Great Song Of Indifference 13 Roads Of Germany Length: 62:45 Quality: A
Bob Geldof - Greenbelt Festival (30/08/1992) 01 The great song of indifference 02 Too late God 03 The chains of pain 04 A Gospel Song 05 Love Or Something 06 The Beat Of The Night 07 I Don't Like Mondays 08 Room 19 09 Let It Go 10 The End Of The World 11 Rat Trap 12 Big Romantic Stuff / The Great Song Of Indifference ( reprise ) All tracks live at the Greenbelt Festival;30 Aug 1992 Quality: audience, B+
Bob Geldof - Phoenix Club Toronto 1993 01 The Great Song Of Indifference 02 Too Late God 03 The chains of pain 04 A Gospel Song 05 Love Or Something 06 The Beat Of The Night 07 I Don't Like Mondays 08 Walking Back To Happiness 09 Rat Trap Source: audience Quality: B Total: 48:34
Bob Geldof - Live in Italy 1994 01 The Great Song Of Indifference 5:36 02 Crazy 4:32 03 I Don't Like Mondays 5:12 04 Bob Interview 2:23 05 Crazy 5:06 06 Love Or Something 3:49 07 The Beat Of The Night 5:59 08 I Don't Like Mondays 5:01 09 Crazy (acoustic version) 3:59 10 I Don't Like Mondays 4:33 11 The Great Song Of Indifference 3:57 12 Crazy (acoustic version) 5:50 13 Too Late God 4:07 14 I Don't Like Mondays 2:55 Length: 63:01 Tracks 1 - 3 Rome; 1 May 1994 Tracks 4 - 8 Gimmi's; Milan; 2 May 1994 Tracks 9 - 11 Roxy Bar; Bologna(?) May 1994 Track 12 M Costanzo Show; Rome May 1994 Tracks 13 - 14 Recanati; May 1994 Quality B+/A-, mostly fm
Bob Geldof - Wetzikon Switzerland (20/06/1998) ! start missing 01 The Great Song Of Indifference 02 Too Late God 03 The Chains Of Pain 04 Inside Your Head (version 1 05 A Gospel Song 06 Love Or Something 07 The Beat Of The Night 08 My Hippy Angel 09 I Don't Like Mondays 10 Banana Republic 11 Room 19 Source: audience Quality: B Total: 52:40
Bob Geldof - Teatro Tendo Florence (16/03/1999) CD 1 01 The Great Song Of Indifference 02 Too Late God 03 The Chains Of Pain 04 A Gospel Song 05 A Sex Thing 06 Love Or Something 07 The Beat Of The Night 08 My Hippy Angel 09 I Don't Like Mondays CD 2 01 Banana Republic 02 Room 19 03 Attitude Chicken 04 The End Of The World 05 Rat Trap 06 Inside Your Head (version 2) 07 Huge Birdless Silence 08 A Hole To Fill Length: 45:45 + 39:08 Source: audience Quality: B+
Bob Geldof - Rock Circus , San Vittore Switzerland (08-07-2001) 01 The Great Song Of Indifference 02 Too Late God 03 The Chains Of Pain 04 A Gospel Song 05 A Sex Thing 06 One For Me 07 Inside Your Head 08 Mudslide 09 I Don't Like Mondays 10 My Birthday Suit 11 Room 19 12 Attitude Chicken 13 A Hole To Fill 14 The End Of The World 15 Rat trap 16 Pale White Girls 17 Huge Birdless Silence 18 The Great Song Of Indifference Length: 78:04 All tracks live at Rock Circus, San Vittore;Switzerland;8 July 2001 audience recording Quality B+/A-
Bob Geldof - Trento (08/02/2002) ! fade in start 01 Too Late God 02 The Chains Of Pain 03 A Gospel Song 04 A Sex Thing 05 Walking Back To Happiness 06 One For Me 07 Mudslide 08 I Don't Like Mondays 09 My Birhtday Suit 10 Room 19 11 Attitude Chicken 12 Inside Your Head Source: audience Quality: B Total: 55:08
Bob Geldof - Villa Berg Stuttgart (28/03/2002) 01 radio intro 02 The Great Song Of Indifference 03 A Gospel Song 04 A Sex Thing 05 Walking Back To Happiness 06 introducing new songs 07 One For Me 08 Mudslide 09 I Don't Like Mondays 10 radio outro Quality A
The Boomtown Rats were one of the most important bands of the last thirty years, even if they are one of the least appreciated. The Boomtown Rats gave the punk/new wave movement commercial credibility and also opened the door for other talented Irish bands, like U2!
Whilst peers like Blondie, Elvis Costello, Siouxsie & The Banshees, The Jam, The Clash, The Damned, The Undertones, The Buzzcocks, The Sex Pistols and The Stranglers have all garnered accolades for their part in the punk/new wave explosion in the late seventies, The Boomtown Rats are always absent despite being the most commercially successful band at that time.
The Boomtown Rats attained the first new wave number one, and also the first UK number one by an Irish band (Dana with All Kinds Of Everything in April 1970 was the first Irish act to make number one).
The Boomtown Rats were also a formidable live band. They were more accomplished musicians than many of their contemporaries having been together for a couple of years before coming to the UK.
Their commercial success was inversely proportional to their critical acclaim. Many people were side-tracked by the Bob/Paula circus that accompanied the Rats as far as the music and popular press were concerned and the music at times took second place.